The Haunting in Connecticut 2: Ghosts of Georgia
I nearly did a commentary on the rise of, and you may even consider it to be a re-emergence; of nonsensical, paradoxical film titles such as this one. Essentially, I made peace with this silly title by likening it to Halloween III. The fact that a disconnected narrative was lumped into a series should not influence my opinion of the title. Sadly, this film is not quite of the caliber of Season of the Witch.
While I can’t knock it entirely, I can’t say I came away from it liking it. What the film does have going for it are the occasional good scare and an interesting mythology and themes it plays upon. Southern gothic tales seem like they’re the latest milieu ripe for the picking in horror, and this film at least starts the conversation. However, the build is a bit staggered such that the climax is drained of some of its tension by flashing back to fill in blanks that have already mostly been filled in by us being allowed time to reflect.
Unnecessary doubt can always be a bothersome aspect in horror and this film eschews most of that and almost reverses it to be too willing to believe visions, but it works. Thus, there’s not quite balance: there’s a doubter you know is in denial, a fairly silent skeptic and a vocal prodder. Ultimately it is the construction of the myth from near the mid-point in act two into act three which cause issues, and could very well be an editing issue as opposed to a writing one.
It’s not a film I would not be averse to revisiting, and it doesn’t feel like a wasted experience, but also doesn’t feel like it’s quite up to what it could’ve achieved. A lot of what does buoy it is the performances of mother and daughter, Abigail Spencer and Emily Alyn Lind.