Rewind Review: A Single Man

A Single Man is a film that thrives on Colin Firth’s performance. He is the titular character and thus the fulcrum upon which the entire film rests. At many times he is alone, more often than not though he is one on one with another scene partner and thus the cast must be exemplary to match him. Firth’s performance is not one of tremendous fireworks but one where we are allowed to get the occasional glimpse beneath the surface. It’s brilliant and true and the finest performance of the year, and was honored as such in Venice.

Accompanying Firth in a few of his more pivotal scenes is Julianne Moore. Moore doesn’t have a lot of screen time in this film but she uses it to her full advantage playing her character remarkably and in so little time breathing life into Charley. In a fascinating bit of turnabout she put on a British accent and is hardly distinguishable from Firth in authenticity.

Conversely Nicholas Hoult, who is British, plays an American and much more convincingly so than when he co-starred in The Weather Man. His scene opposite Firth in the bar was quite memorable and he was perhaps the perfect casting choice as the young man who gives our protagonist a glimmer of hope.

colin-firth-a-single-man

The cast of the film overall is exceptional and because all the scenes were of an intimate nature, in terms of emotion if not subject matter, all actors in parts large and small had to connect and play up to Colin Firth and they did so tremendously.

The edit of this film is likely to go unrecognized and thus we shall call attention to it here. Both aesthetically and technically it is a job very well done. With ease it manipulates our perception of reality on one occasion but more often than not it combines with the cinematography to give the perfect launching point for a flashback. One of the flashbacks being shot in black and white was also a very welcome touch.

The greatest tool at the disposal of the cineast is the ability for him to manipulate time. This film manipulates time brilliantly as we see virtually the entire story of this man’s adult life unfold itself over the course of a day. So much is learned so simply and quickly.

A-Single-Man-030

Having all of the events take place over the course of one day is also a great benefit to the film as it lends immediacy and urgency to even the most mundane of actions. As the day starts we think we see how it will end and makes every moment have that much more surpassing beauty because of it.

This is a film which is a subtle tragedy. In as much as the audience experiences the tragedy of events much more so than the characters involved. The film also leaves you wanting more and leaves you wondering what happened to characters after it faded to black for the last time.

10/10

Mini-Review: Alvin & The Chipmunks: Chipwrecked

 

Now in the interest of full disclosure, which I believe in, I will say “Yes, I am a Chipmunks fan.” These characters without question are divisive. There is no middle ground it seems you love them or you hate them. Being a fan I was surprised to have liked the first film (just barely) and very sorely disappointed in the second installment. Where I feel things went wrong the second time around wasn’t in the introduction of the Chipettes but in doing so spreading itself too thin amid myriad conventional plot devices. That’s not to say that this installment breaks ground with some unconventional plot machinations, however, it does combine a few old hat techniques creatively and it focuses heavily on the Chipmunks and the Chipettes and on their character. Furthermore, while maybe having fewer musical cues than before it functions more like a musical than the prior two installments seeking emotional veracity in spotting songs rather than literal locales. By having the Chipmunks and Chipettes pushed to extremes and assuming different characteristics than expected this is the first tale of the three that feels fully realized especially since it restrains Dave, who was overly-involved in the first two. It’s also interesting that Cross’ somewhat listless turn is somewhat elevated by his recent ranting.

7/10

Mini-Review: Pete’s Christmas

This film does feature a Groundhog Day like tale that is unusually, in a good way, heavy in montage and features a good cast Bruce Dern, Zachary Gordon, Bailee Madison and Peter DaCunha. However, given its trappings it doesn’t do anything to special with the formula and does, sadly, meander a bit through the second act taking too long to figure out what its ultimate path was aside from trying to improve how setpieces and tropes are handled.

5/10

Updates: December 4th, 2015

As the calendar has turned to December it’s time to discuss what’s past and what’s to come, and how it may be different than in past years.

First, as you’ll not above this year will mark the 20th BAM Awards. The shortlist will come out on 24th

Anna Karenina (2012, Focus Features)

The Year-End Dash will still exist to an extent but it won’t feature in a running post or even that many daily reviews. I will try and rack up eligible reviews and do have much of this month, and the first quarter of 2016, scheduled with something.

tindrum19

Oh, Oskar. Yes, he will be coming back in a series of posts. I need to get to drafting the next few sections. You can read the series-to-date starting here.

Pit Pony (1997, Cochran Entertainment)

I have upcoming blogathon contributions like O Canada and the Backstage Blogathon, and a few recent contributions like Grace Kelly, the Swashathon, and another cartoon post.

The Movie Rat

This blog may have been a bit too set in its ways, but as I recently discussed I want to be more diversified even while sticking to some old themes. As I try and balance many interests, life changes, and changes here there may be some irregularity in posting new content, I hope to get “new” release reviews up again soon, but I hope to continue to tweak and improve this site and hope you’ll be willing to come along for the ride. Thanks all!

Mini-Review: The Christmas Ornament

The first thing that needs to be said is that the initial offerings are all Hallmark originals for the holidays. On the rare occasion these can surprise. Those found in these reviews here are not the case. Furthermore, what’s not included here was one that I could not finish watching due to how insipid, and in the end, predictable it was.

All these three have their moments, but ultimately fall short. What’s pleasant in this tale are some of the performances and that some of the obvious realizations are not held off for too long. Certain factors that I thought would only come in to play late are out fairly early here. Other than that nothing special.

5/10

Mini-Review: Help for the Holidays

Here’s another holiday-themed film not only with an Elf element, but also with the now ubiquitous conquering-the-loss-of-Christmas-spirit problem. While the end result is predictable enough, as is some of the early path, there are enough wrinkles and well-timed moves to keep it rather enjoyable in the middle. The issues, and ultimately downfall are due to a few narrative inconsistencies, the unintentional casting of a creepy Santa and the redundant uninspired score which assails your ear throughout the entirety of the film.

5/10

Mini-Review: Pinocchio’s Christmas

Part of the appeal of this Warner Archive set was that I had never, or thought I had never, seen all the specials on this disc. No other film in this set gave me the feeling of déjà vu as this one. However, I cannot say of that is for real, and even if it is, I cannot guarantee I saw the whole film even if I did see it before. Out of all of these, this is the best example of the Rankin/Bass style the songs and lyrics, and vocal stylings are all top notch. It takes the Pinocchio lore and not only tells a Christmas tale with it but tells only part of the story. It’s an hour-long special that not only fits the allotted running time, but thrives because of it. There is also plenty of humor and wonderful sets. This may not be a household name special but it it on par with the best.

10/10

2015 BAM Award Considerations – November

Eligible Titles

Creed
The Good Dinosaur
Sanjay’s Super Team
The Hunger Games: Mockingjay – Part 2
Spectre
The Squeeze
Chasing Tyson
Dark Places
Scouts Guide to the Zombie Apocalypse
The Peanuts Movie
Cosmic Scrat-tastrophe

Best Picture

Creed
The Good Dinosaur
Dark Places

Best Foreign Film

Best Documentary

Most Overlooked Picture

As intimated in my Most Underrated announcement this year, I’ve decided to make a change here. Rather than get caught up in me vs. the world nonsense and what a film’s rating is on an aggregate site, the IMDb or anywhere else, I want to champion smaller, lesser-known films. In 2011 with the selection of Toast this move was really in the offing. The nominees from this past year echo that fact. So here, regardless of how well-received something is by those who’ve seen it, I’ll be championing indies and foreign films, and the occasional financial flop from a bigger entity.
Dark Places

Best Director

Creed
The Good Dinosaur
Dark Places

Best Actress

Jennifer Lawrence The Hunger Games: Mockingjay – Part 2
Charlize Theron Dark Places

Best Actor

Michael B. Jordan Creed
Josh Hutcherson The Hunger Games: Mockingjay – Part 2
Jeremy Sumpter The Squeeze
Nicholas Hoult Dark Places
Tye Sheridan Scouts Guide to the Zombie Apocalypse

Best Supporting Actress

Phylicia Rashad Creed
Tessa Thompson Creed
Chloë Grace Moretz Dark Places
Sarah Dumont Scouts Guide to the Zombie Apocalypse

Best Supporting Actor

Sylvester Stallone Creed
Tye Sheridan Dark Places

Best Performance by a Young Actress in a Leading Role

Best Performance by a Young Actor in a Leading Role

Best Performance by a Young Actress in a Supporting Role

Best Performance by a Young Actor in a Supporting Role

Alex Henderson Creed

Best Cast

Creed
Dark Places
Scouts Guide to the Zombie Apocalypse
The Peanuts Movie

Best Youth Ensemble

The Good Dinosaur
The Peanuts Movie

Best Original Screenplay

The Good Dinosaur
Scouts Guide to the Zombie Apocalypse

Best Adapted Screenplay

Creed
Dark Places
The Peanuts Movie

Best Score

Creed
The Good Dinosaur
The Hunger Games: Mockingjay – Part 2
Spectre
Dark Places
Scouts Guide to the Zombie Apocalypse
The Peanuts Movie

Best Editing

Creed
The Good Dinosaur
Dark Places

Best Sound Editing/Mixing

Creed
The Good Dinosaur
The Hunger Games: Mockingjay – Part 2
Spectre
Dark Places
Scouts Guide to the Zombie Apocalypse

Best Cinematography

Creed
Dark Places
Scouts Guide to the Zombie Apocalypse

Best Art Direction

Creed
The Hunger Games: Mockingjay – Part 2
Dark Places
Scouts Guide to the Zombie Apocalypse

Best Costume Design

The Hunger Games: Mockingjay – Part 2
Best Makeup

Creed
The Hunger Games: Mockingjay – Part 2
Dark Places
Scouts Guide to the Zombie Apocalypse

Best Visual Effects
The Hunger Games: Mockingjay – Part 2
Scouts Guide to the Zombie Apocalypse

NOTE: For lack of actual known-to-me titles this month their are reminders of what the songs are. Should they be shortlisted and/or nominated I’ll hunt them down.

Best (Original) Song

Creed

I commented last year that there was a film that had me reconsidering the soundtrack as a potential category. It’s happened again so I will be tracking it and seeing if it’s worth re-including this year.

Best Soundtrack

Creed

Mini-Review: The Stingiest Man in Town

Introduction

This is a post that is a repurposing of an old-school Mini-Review Round-Up post. As stated here I am essentially done with running multi-film review posts. Each film deserves its own review. Therefore I will repost, and at times add to, old reviews periodically. Enjoy!

The Stingiest Man in Town

This is yet another rendition of Charles Dickens’ eternal classic A Christmas Carol. Not only is it another adaptation, but it’s also another musical version. Even removing non-diegetic elements that bother me like comparing it to other adaptations or how the characters are really caricatures of the actors playing them, there are many things just off about this version. The songs are inconsistent at best both in lyrical and vocal quality, as is, surprisingly enough, the voice acting; though that could have something to do with direction. The story is also oddly structured inasmuch as there is a lot of denouement. Scrooge has seen the error of his ways and the tale just lingers; removing the impact of the change in his heart. I could go on, but these are the main objections I have.

5/10

Mini-Review: The Leprechauns’ Christmas Gold

 

This film continues my going through Warner Archive’s great new Christmas special set by the masters of the subgenre. Here again they have Romeo Muller back to script the tale, and it’s a good thing they do because his acumen is about all that makes this tale float. What’s good about it is that it gives me a little more banshee-related info than I had prior, but it is a most odd tale indeed. The elements mixed in of leprechauns, banshees and wayward sailors are those or darker tales and mystical tomes, but the tone is the same as their other works, yet the Christmas element is more secular than ever, if not downright pagan. This is not a moral judgment, it just makes the balancing of tone harder but the tale manages. It’s an enjoyable, odd little entry in their canon.

6/10