Summer Reading Classic Film Book Challenge: Twinkle, Twinkle, Little Star by Dick Moore

Introduction

This is my latest post (fourth overall) for the Summer Reading Classic Film Book Challenge hosted by Out of the Past. This book fits in a few categories as biographical/filmographic account of Dickie Moore’s work but also counts as an interview book as he spoke to many of his contemporaries later on and compared experiences.

Twinkle, Twinkle, Little Star (But Don’t Have Sex or Take the Car) by Dick Moore

Twinkle, Twinkle, Little Star (1984, Harper & Row)

When I was growing up I was a kid who loved movies, movies of all kinds. When there were young characters, of course, I identified with them. Still recalling what it’s like to be of that age, I still do to the extent I can. As I grew, and started to learn a bit more a bout how films are made, separating the fantasy from reality and liking them both; things were really changed for me with one film and one name: Home Alone starring Macaulay Culkin.

As a kid who sought all different kinds of artistic expression it was mind-blowing that a kid could have that kind of success, and at that age I believed a great deal of talent. Following his trajectory there was quite a class of young actors in the early ‘90s I followed: the star of his next film Anna Chlumsky, another talent he teamed with that had more depth and range, and still does, Elijah Wood. It was quite a group of actors in the early years of the soon-to-be-called Millennials.

As I continued to follow film, and created my personal film awards, I wanted to recognize and reward young talents that were often overlooked. Similarly, as I started to watch older films I started find favorites from different eras. One of those is Dickie Moore, who I’ve seen in a number of studio and Poverty Row titles alike.

Blonde Venus (1932, Paramount)

Perhaps the strongest group of young actors came to the fore in the infancy of synchronized sound and the dawn of the Depression. As is astutely covered in Dick Moore’s account the conditions in Hollywood and society as a whole were perfect for this boom crop.

Typically, when I’ve read about film I’ve been most concerned about the material at hand. The film, analysis of it, the construction and creation of it. Having a staunch belief in separating art from artist as much as possible has limited my interest in biographical accounts to an extent. One thing I do like is setting the record straight, which is much of the larger goal of Cliff Aliperti’s great bio on Freddie Bartholomew, which I just read.

However, seeking a firsthand account lead me to this book, and what’s better is that it constructs itself based on the collected experience of many actors from the era. Yes, there is hindsight involved, but the honesty and self-examination and multi-faceted nature of the investigation of their careers, their lives, and how one affected the other is fascinating to read.

The Devil is a Sissy (1936, MGM)

Those Moore talks to are a veritable all-star cast:

Cora Sue Collins, Jackie Coogan, Jackie Cooper, Edith Fellows, Peggy Ann Garner, Lillian Gish, Bonita Granville, Darryl Hickman, Sybil Jason, Gloria Jean, Marcia Mae Jones, Roddy McDowall, Spanky McFarland, Sidney Miller, Kathleen Nolan, Margaret O’Brien, Donald O’Connor, Diana Cary (a.k.a. Baby Peggy), Jane Powell, Juanita Quigley, Gene Reynolds, Mickey Rooney, Ann Rutherford, Dean Stockwell, Matthew Beard (a.k.a Stymie), Shirley Temple Black, Bobs Watson, Delmar Watson, Jane Withers, and Natalie Wood.

The chapters are typically focused on one topic at a time yet linked chronologically so you get versions of:

Life before the movies; stories of parents on set in; how the studio system pressured kids to keep in front of rolling cameras; an insightful look inside the studio school bubble; how these kids related to the adults they work with and around, important as they had few contemporaries; a chronicle of successes, nerves, and stresses; tales of financial woe in the days before regulation and the loophole in the first law to protect minors’ earnings; tales of further imposed awkwardness and arrested development in adolescence; struggling with what happens after the phone stops ringing; and leaving home and/or show business.

Conclusion

In Love with Life (1934, Invincible)

I could go on and citing quotes ad nauseum as I did quite a bit of underlining in this one, but for those interested I’d rather not ruin the surprises herein. There is certainly plenty of food for thought, differing and insights. It’s not an easy book to get anymore, I believe mine was secondhand, unless it really sat around Strand for years and years but if you look around the Internet you should be able to find it, and if interested in any of the subjects you should give it a read.

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Children in Films Blogathon: A Revisionist Look at the Juvenile Award

When I learned of the Child Actor Blogathon at Comet Over Hollywood, I had two ideas for it almost right away: the Jackie Searl spotlight and this one. Not too long ago I argued for why the Juvenile Award should be re-instated. In this post I will follow up on that notion to augment my case. It’s one thing to quickly cite who won while it was around and state it never should have left, it’s quite another to show you who would have had they never gotten rid of it. Now I have decided to illustrate that in three ways, including some omissions found when it was instated (it’ll make more sense when we get there, trust me). First, I will list the young actors who since the end of the award (after 1961) were nominated for an Academy Award.

These actors obviously, had there still been a Juvenile Award, would have won that. While on occasion they were awarded the prize, more often than not they didn’t have a realistic chance. Regardless, their nomination was deemed prize enough it would seem, but I disagree and as you will see there have been plenty of instances where the Juvenile award could have been handed out either in addition to or in place of the nomination.

Based on Academy Award nominations from 1961-Present:

Little Miss Sunshine (2006, Fox Searchlight)

2012 Quvenzhané Wallis Beasts of the Southern Wild
2010 Hailee Steinfeld True Grit
2007 Saoirse Ronan Atonement
2006 Abigail Breslin Little Miss Sunshine
2002 Keisha Castle-Hughes Whale Rider
1999 Haley Joel Osment The Sixth Sense
1993 Anna Paquin The Piano
1979 Justin Henry Kramer vs. Kramer
1977 Quinn Cummings The Goodbye Girl
1976 Jodie Foster Taxi Driver
1973 Tatum O’ Neal Paper Moon
1968 Jack Wild Oliver!
1962 Patty Duke The Miracle Worker
Mary Badham To Kill a Mockingbird

Personal Selections

Super 8 (2011, Paramount)

In 1996, when I was 15 and the young actors of the day where my contemporaries, I started making my own award lists. Being young myself at the time I wanted to recognize young actors where most awards excluded them more often than not. These selections reflect those that were my among my BAM award selections that were eligible and the Academy bypassed. Prior to 1996, I thought of significant performances that were worthy of noting and would’ve had a strong case for the Juvenile Award had it been around.

2012 Rick Lens Kauwboy

This one is highly unlikely as Kauwboy wasn’t shortlisted for the Best Foreign Language Film prize. However, the fact that it was the official selection for The Netherlands did make it eligible.

My young actress choice last year, Sophie Nélisse, was a year off from the Oscar calendar but also a strong possibility for Monsieur Lazhar.

2011 Joel Courtney, Elle Fanning, Ryan Lee, Riley Giffiths Zach Mills, Gabe Basso Super 8

It figures that both the best young ensemble, and perhaps individual performance, of the past 25 years got overlooked. So they are all honored here.

2009 Bill Milner Is Anybody There?

2008 Bill Milner and Will Poulter Son of Rambow

A slight wrinkle here from my original selection. Since the Academy set precedent of awarding tandems, why not do so here as well?

2005 Dakota Fanning War of the Worlds

2004 Freddie Highmore Finding Neverland

My 2004 winner was one where I was awarding a film from 2003, due to my stand on release dates, which is different than the Academy’s. Having said that I then had to factor in both my nominees and who the Academy would be more likely to pick and decided if they chose anyone it would have been Highmore.

2003 Jeremy Sumpter Peter Pan

2001 Haley Joel Osment Artificial Intelligence: A.I.

2000 Haley Joel Osment Pay It Forward

1998 Vinicius de Oliveira Central Station

1997 Joseph Ashton The Education of Little Tree

Here’s another interesting case: my winner was in a TV film which the Academy would never honor. Then two more nominees were either shifted due to my interpretation of release date rules and one erroneously in my revisionist phase. That leaves two eligible: Dominic Zamprogna in The Boy’s Club and Joseph Ashton in The Education of Little Tree. Some people besides me actually saw the latter so I’d put that one up as a winner.

1996 Michelle Trachtenberg Harriet the Spy
Lucas Black Sling Blade

Michelle was my actual winner in 1996. Sling Blade in my awards was shifted to 1997 due to its release date. It being an Oscar nominated film make it a more likely retrospective candidate.

My Girl (1991, Columbia Pictures)

This section marks personal selections prior to my picking extemporaneous year-end awards.

1994 Elijah Wood The War

I recall watching E! and hearing there was some buzz being stirred by the cast/studio for Elijah. I knew it would never happen, but it was deserved buzz.

1992 Maxime Collin Leolo

I have since expunged them but for a time I did backtrack BAM Award to back before they started. Some of these picks reflect those findings.

1991 Anna Chlumsky My Girl

1990 Macaulay Culkin Home Alone

Say what you will, but you know if the award was around that this would have happened.

1988 Pelle Hvengaard Pelle the Conqueror

1987 Christian Bale Empire of the Sun

1986 River Phoenix Stand by Me

1983 Bertil Guve Fanny and Alexander

1982 Drew Barrymore and Henry Thomas E.T.: The Extra-Terrestrial

1979 Ricky Schroeder The Champ
David Bennent The Tin Drum

1972 Nell Potts The Effect of Gamma Rays on Man-in-the-Moon Marigolds

Who Should Have Gotten One But Didn’t

No Greater Glory (1934, Columbia Pictures)

I honestly almost scrapped this section. However, looking back through young nominees I noticed the discrepancy that some young nominees did not get a Juvenile Award while there was one. So I figured while I was at it I’d list a few notable performances that didn’t get recognized. Those that “didn’t need one” since they were nominated as in their respective categories against adult competition have denoted those with an asterisk.

1956 Patty McCormack The Bad Seed*
1953 Brandon deWilde Shane*
1952 Georges Poujouly Forbidden Games
1941 Roddy McDowall How Green Was My Valley
1936 Freddie Bartholomew Little Lord Fauntleroy
1934 George Breakston No Greater Glory
1931 Jackie Cooper Skippy*

It’s An Honor Just To Be Nominated

Elizabeth Taylor and Roddy McDowall in Cleopatra (20th Century Fox)

“It’s a an honor just to be nominated” is a phrase that’s such a truism that it rings empty and hollow. In fact, you hardly hear it anymore, however, I do believe actors when they do say it. The fact is there are only so many Oscar nominations to go around such that many very, very talented people never even get so much as nominated. While some have one standout performance that grabs everyone’s attention. Below you will find a list that could be longer of some notable actors who never even were nominated for supporting or leading actor/actress prizes.

Pictured above is one of the more unfortunate cases: critics at the time and film historians agree that Roddy McDowall was a virtual lock for Best Supporting Actor in Cleopatra. However, a clerical error submitted him as a lead. Fox tried to rectify the mistake but the Academy wouldn’t allow it thus McDowall was not even nominated. An ad taken out by Fox apologizing for the oversight and commending McDowall’s performance was a poor consolation prize at best.

Best Non-Oscar Nominees

1. Christopher Lee
2. Bela Lugosi
3. Boris Karloff
4. Vincent Price
5. Edward G. Robinson
6. Mae West
7. Michael Keaton
8. Peter Lorre
9. Mel Gibson
10. Sonia Braga
11. Alan Rickman
12. Fernanda Torres
13. Roddy McDowall
14. John Barrymore
15. Joseph Cotten
16. Errol Flynn
17. Bob Hope
18. Lloyd Bridges
19. W.C. Fields
20. Lon Chaney, Jr.
21. Victor Mature
22. Conrad Veidt
23. Peter Cushing
24. Donald Sutherland
25. Eli Wallach
26. Robert Blake
27. Malcolm McDowell
28. Kurt Russell
29. Martin Sheen
30. Christopher Lloyd
31. Jeff Goldblum
32. Steve Buscemi
33. Kevin Bacon
34. Vincent D’Onofrio
35. Marilyn Monroe
36. Jean Harlow
37. Rita Hayworth
38. Myrna Loy
39. Hedy Lamarr
40. Tallulah Bankhead
41. Maureen O’ Sullivan
42. Betty Grable
43. Jane Russell
44. Jeanne Moreau
45. Barbara Steele
46. Mia Farrow
47. Margot Kidder
48. Jamie Lee Curtis
49. Meg Ryan
50. Ellen Barkin
51. Isabelle Huppert
52. Shelley Duvall
53. Madeline Stowe