Summer Reading Classic Film Book Challenge: Twinkle, Twinkle, Little Star by Dick Moore


This is my latest post (fourth overall) for the Summer Reading Classic Film Book Challenge hosted by Out of the Past. This book fits in a few categories as biographical/filmographic account of Dickie Moore’s work but also counts as an interview book as he spoke to many of his contemporaries later on and compared experiences.

Twinkle, Twinkle, Little Star (But Don’t Have Sex or Take the Car) by Dick Moore

Twinkle, Twinkle, Little Star (1984, Harper & Row)

When I was growing up I was a kid who loved movies, movies of all kinds. When there were young characters, of course, I identified with them. Still recalling what it’s like to be of that age, I still do to the extent I can. As I grew, and started to learn a bit more a bout how films are made, separating the fantasy from reality and liking them both; things were really changed for me with one film and one name: Home Alone starring Macaulay Culkin.

As a kid who sought all different kinds of artistic expression it was mind-blowing that a kid could have that kind of success, and at that age I believed a great deal of talent. Following his trajectory there was quite a class of young actors in the early ‘90s I followed: the star of his next film Anna Chlumsky, another talent he teamed with that had more depth and range, and still does, Elijah Wood. It was quite a group of actors in the early years of the soon-to-be-called Millennials.

As I continued to follow film, and created my personal film awards, I wanted to recognize and reward young talents that were often overlooked. Similarly, as I started to watch older films I started find favorites from different eras. One of those is Dickie Moore, who I’ve seen in a number of studio and Poverty Row titles alike.

Blonde Venus (1932, Paramount)

Perhaps the strongest group of young actors came to the fore in the infancy of synchronized sound and the dawn of the Depression. As is astutely covered in Dick Moore’s account the conditions in Hollywood and society as a whole were perfect for this boom crop.

Typically, when I’ve read about film I’ve been most concerned about the material at hand. The film, analysis of it, the construction and creation of it. Having a staunch belief in separating art from artist as much as possible has limited my interest in biographical accounts to an extent. One thing I do like is setting the record straight, which is much of the larger goal of Cliff Aliperti’s great bio on Freddie Bartholomew, which I just read.

However, seeking a firsthand account lead me to this book, and what’s better is that it constructs itself based on the collected experience of many actors from the era. Yes, there is hindsight involved, but the honesty and self-examination and multi-faceted nature of the investigation of their careers, their lives, and how one affected the other is fascinating to read.

The Devil is a Sissy (1936, MGM)

Those Moore talks to are a veritable all-star cast:

Cora Sue Collins, Jackie Coogan, Jackie Cooper, Edith Fellows, Peggy Ann Garner, Lillian Gish, Bonita Granville, Darryl Hickman, Sybil Jason, Gloria Jean, Marcia Mae Jones, Roddy McDowall, Spanky McFarland, Sidney Miller, Kathleen Nolan, Margaret O’Brien, Donald O’Connor, Diana Cary (a.k.a. Baby Peggy), Jane Powell, Juanita Quigley, Gene Reynolds, Mickey Rooney, Ann Rutherford, Dean Stockwell, Matthew Beard (a.k.a Stymie), Shirley Temple Black, Bobs Watson, Delmar Watson, Jane Withers, and Natalie Wood.

The chapters are typically focused on one topic at a time yet linked chronologically so you get versions of:

Life before the movies; stories of parents on set in; how the studio system pressured kids to keep in front of rolling cameras; an insightful look inside the studio school bubble; how these kids related to the adults they work with and around, important as they had few contemporaries; a chronicle of successes, nerves, and stresses; tales of financial woe in the days before regulation and the loophole in the first law to protect minors’ earnings; tales of further imposed awkwardness and arrested development in adolescence; struggling with what happens after the phone stops ringing; and leaving home and/or show business.


In Love with Life (1934, Invincible)

I could go on and citing quotes ad nauseum as I did quite a bit of underlining in this one, but for those interested I’d rather not ruin the surprises herein. There is certainly plenty of food for thought, differing and insights. It’s not an easy book to get anymore, I believe mine was secondhand, unless it really sat around Strand for years and years but if you look around the Internet you should be able to find it, and if interested in any of the subjects you should give it a read.



  1. Cliff Aliperti · August 17, 2015

    Wow, I don’t have this one, definitely going to have to pick it up. I added a lot to my child stars collection of books when I was researching Freddie Bartholomew, but it looks like he wasn’t around to contribute to this one—is he at all mentioned, and, if so, anything good that I shouldn’t miss? Thanks very much for mentioning my eBook in your review, I really appreciate it!

  2. bernardovillela · August 17, 2015

    Cliff, you’re very welcome. I’m glad you asked that question because it prompted me to check the index. I was prepared to say there virtually nothing on Freddie in the book, but there are a few instances. My memory at times is sketchy which is why I can be big on highlighting, underlining, and taking notes. But I digress, with regards to Mr. Bartholomew, Mr. Moore has some fascinating recollections on his perceived, and later confirmed, isolation on the behest of his aunt; and also his keen awareness of Freddie as competition. There’s also a longer anecdote on his costume and participation in an MGM Halloween Party/publicity stunt. The other three or four references are in passing as he confesses to not having known him, and clearly couldn’t have been expected to interview him for the book.

    It is fascinating to have not only a firsthand account, but one that takes in this many perspectives. It will contrast nicely with the next piece I’m preparing for this blogathon.

  3. Pingback: Classic Movie Daily for Thursday, August 20, 2015 — Immortal Ephemera
  4. Pingback: Summer Reading Classic Film Book Challenge: They Still Call Me Junior by Frank Coghlan, Jr. | The Movie Rat
  5. Raquel · September 10, 2015

    This is one of those out-of-print books I’ve had my eye on for a long time. I’m really interested in reading it. Thanks for sharing your thoughts.

    • bernardovillela · September 10, 2015

      You’re welcome. I haven’t checked on its status lately. It may be available from more resellers now.

Comments are closed.