Most holidays worth their while encompass entire seasons, such as Christmas, for example. However, as you may have noticed there is a corporate push every year for us to think about the next holiday even sooner. While this has many negative side effects I figure I may as well embrace it.
Since Labor Day is really only good for college football and movie marathons cinematically it is as significant as Arbor Day, which means the next big day on the calendar is Halloween and we can start looking toward it starting now.
Daily I will be viewing films in the horror genre between now and then and sharing the wealth. Many, as is usually the case, will not be worth it so for every disappointment so I will try and suggest something worth while as well.
The Amityille Horror
What is interesting to note, for what it’s worth is that both the 1979 and 2005 versions of this film have the same score on the IMDb. This score seemingly ignores the biggest difference between the two which is that the original runs 120 minutes and the remake runs 90 and that running time is put to very good use. Not only do the incidents mount and come with greater frequency it allows for more narrative threads to be developed to support what we all know to be true.
What people are likely to hold against it might be that not enough happens but mind you that there are many incidents and there certainly seems to be more of a crescendo than last year’s (at the time of this writing) runaway hit Paranormal Activity which may be the slowest moving horror film ever crafted.
Another rarity that makes this film one worth seeing is that it has always been difficult to attract names to tales of horror or the supernatural but this film boasts James Brolin, who at the time was already an Emmy-winner, Margot Kidder who was just coming off Superman and Rod Steiger who had already won an Academy Award for In the Heat of the Night. This is in the same decade as The Exorcist which boasted Ellen Burstyn and Max von Sydow. These are the kinds of casts you can’t find anymore and the kind you need to convey a tale in which terror lives in the characters’ minds even more than it does in reality. The score which opens the film and recurs a few times is reminiscent of certain Giallo films. The score combined with the quick flashbacks at the beginning to illustrate the house’s past are the perfect way to set the table.
I am not going to say this is the quintessential haunted house movie because that would be a disservice to films like The Haunting and The Legend of Hell House which deserve recognition, however, it does take a different approach than those and ushers in the age of suburban terror and perils of home ownership into the genre.
While occasionally you do get some bad looking blood, which is such a pet peeve of mine. There is the compelling case of the priest trying to convince people of what he experienced. The nun who was violently ill on the premises, then subplots that run longer like the obsession with woodcutting due to the cold; Jodie, the “imaginary” friend, The dog digging at the wall in the basement and the police sergeant sensing something is amiss and tailing the family and the priest. All this offers many more layers than you usually get in this type of tale.
Lastly, the film also employs titles very effectively as not many do. It can be an extremely effective when used well and this film does on more than one occasion.The Amityville Horror definitely has a lot to offer the horror connoisseur.