I have often mentioned how merely starting a dialogue after having viewed a film is a boon in and of itself. Aside from that it is also my belief that horror cannot be safe, and in that vein this film is one that does tweak with things inasmuch as its not interested in motivating the malevolent entity at the center of the film. Furthermore, it is a film that plays in two time periods and features four tremendous performances (Brenton Thwaites, Karen Gillan, Annalise Basso and Garrett Ryan). It also offers its protagonists no safety whatsoever. You may not like it as much as I do, but it is most definitely looking out for.
14. The Drop
Even if you only know Dennis Lehane (Mystic River and Shutter Island specifically to this example) from the filmic adaptations of his written work you know there’s usually a huge reversal or fortune or what you thought you knew was true in the third act. In many prior instances this fact has lead to a downgrade of the overall quality of the film to varying degrees. Here quite the opposite happens and The Drop grows tremendously. Also, this film features an excellent turn by Noomi Rapace, one two absolutely stellar performances by Tom hardy this past year that earned him a BAM Award nomination, and one of the last films for James Gandolfini.
“That dog is a asshole!” Perhaps one of the dividing lines between people who need black-and-white characterizations and those who can embrace grays are films like Joe. Joe (Nicolas Cage) likes dogs just fine, he loves his dog, but seeks to deal with one he dislikes with fatal finality. Similarly, he may not be what is commonly thought of as a good man but when he sees wrong he has to rectify it and he has to deal with it in his way whether society or people like it or not. His chance encounter with, employment of, and befriending of Gary (Tye Sheridan) brings another set of challenges to his life. There are bad things that happen in Joe, there is some redemption to be found, and closure too. It’s about some decent people in hard situations and how they respond. Joe is a tense film that is buoyed by accomplished direction and wonderful performances by Cage and Sheridan.
12. The Lego Movie
“Everything is awesome!” Or so Emmet and other people in the world of this story like to believe. In seeking out more is where the adventure begins and the commentary sets in. The Lego Movie is insanely meta, creative and funny. It also gets touching with its reveal. The song will get stuck in your head, the score will have you tapping your toes and those who ever felt confined by sets will find their liberation here. It was the first revisited film in 2014 and it will likely earn many other revisits by other people.
11. The Strange Color of Your Body’s Tears
This is a film I didn’t re-watch yet but has lived off-and-on in my mind since I saw it. The initial ambivalence about it overall are fading away. Yes, I was floored by the sound mix, edit, the visuals and oneiric flow, but I think now that I’ve chewed on it enough that it’s the giallo elevation I wished Amer was, and whether or not I get it intellectually is almost secondary to its overall gut-punch impact. It’s a film you should allow to ravish you. I cannot guarantee that it will be as rewarding for the uninitiated as it is for someone who knows Giallo, well but if you stick with it and start to reconstruct the jigsaw you may well find you like it as well.
This list will conclude shortly.