This is a post that is a repurposing of an old-school Mini-Review Round-Up post. As stated here I am essentially done with running multi-film review posts. Each film deserves its own review. Therefore I will repost, and at times add to, old reviews periodically. Enjoy!
I have previously discussed the benefits of programs like Film Movement. This film is their most recent offering.
What is most interesting about Corpo Celeste is that it comments through its narrative or visuals on any number of topics but always does so in an interesting, thoughtful and compelling way it is never didactic, pedagogic or heavy-handed. This is key with themes such as coming of age, religion, politics, family and nationalism (to name a few) being discussed. Most of the reason the film can do this is that all of these things are discussed personally and visually. They barely need to be elucidated. When dialogue is employed to convey the touched-upon themes it is used sparingly and tightly.
The personal approach keeps a film that might be overly aloof rather cool and connected. One of the more interesting things about it is the approach the film takes in bringing its protagonist to the fore. The first few images, scenes even you rarely see Marta alone, she is in crowd scenes and crowded dinner tables and gatherings. Our knowledge the story is to be about her allows us to get a glimpse of her world and her not really seeing a place in yet, hence she’s coming of age. She soon comes further and further into focus and in some way identification is already established.
The film features a tremendously natural performance by Yle Vianello, which enables you to connect to the film not only through her character but through any facet you see fit. The two major ways to connect to the film are either as a coming-of-age tale or a spiritual journey. Many of us have been through either, if not both, so closely examining these two major journeys in one protagonist makes it quite effective.
This is a really good film that is worth your while. The DVD also features the Academy Award nominated short Raju, which I saw earlier.