Month: August 2015

Mini-Review: From Time to Time

Posted on by bernardovillela

Introduction

This is a post that is a repurposing of an old-school Mini-Review Round-Up post. As stated here I am essentially done with running multi-film review posts. Each film deserves its own review. Therefore I will repost, and at times add to, old reviews periodically. Enjoy!

From Time to Time

This is a film that I saw a little bit ago and I struggled with whether I’d qualify it for this year’s BAM Awards or just leave it in the Gray Area. Typically, I go by US release date (so long as I had a legitimate chance to see it), should a film have not had a US release date (namely only released overseas, or seen in a festival, etc.) it’s qualified in the year viewed. With regards to From Time to Time, I knew that its actual vintage was a few years old and it was released in the UK some time back, however, it only his US home video very recently. Technically, that is is its US release since it didn’t have a theatrical run, so there you have it.

This is a very interesting ghost drama, which has a few interesting things going in its favor: first, it cuts through time with great facility and creates a British gothic tale with the ease of Magical Realism. This stripping down of the typical pretensions of supernatural tales making the acceptance of these other-worldly facts commonplace allows the film to dwell in a more dramatic and intriguing milieu. Second, as clearly intimated above this film deals in two periods but makes them both intriguing and vital and blends them wonderfully. Lastly, this film features very strong performances most notably by the under-utilized Alex Etel, last seen by me in Sea Horse; Maggie Smith, whom at this point could benefit any and every film in creation and Carice Van Houten, whom viewers of Game of Thrones may recognize.

This is an intriguing film that is worth looking for on Netflix or other home video resources.

8/10

Rewind Review: Chronicle

Posted on by bernardovillela

Chronicle

This was a film I heard a lot about and I love the fact that it is divisive. I had a lot of stumbling blocks to overcome in this one, but seeing elements enacted as opposed to just hearing about them are two completely different things.

This being a found footage film there are “cheats,” inasmuch as it’s not always the same source camera providing the footage, but as events escalate you’ll see why it’s possible, you just get no hint as to who put it all together. That’s a minor concern regarding the handling of technique.

In fact, the only other quibble I have has to do with Casey (Ashley Hinshaw) who is a blogger, thus she too obsessively records things. It’s a bit convenient but mostly the film works in the found footage milieu because it remains tremendously reflexive, and it has to. Andrew (Dane DeHaan) feels compelled to record his life due to his abusive father (a wonderfully malignant villain with few parallels), it clearly continues after the mysterious inciting incident.

Perhaps what is most brilliant and moving about the film is that it creates a sense of identification immediately and it builds from there. It’s not a case of likability but rather understanding. It gives characters powers, and inherently responsibilities, they’re not necessarily equipped to cope with and shows you what they do.

Yes, there is a slightly Jackass, slightly YouTube-voyeuristic, quality to certain scenes inherent in the found footage approach but things to do come back that seemed as if they didn’t fit, and the seemingly frivolous is sublimated quickly. Through it all it remains a character study. It’s a film that does not get overly-concerned with its technique to the detriment of its plot or personages.

Clearly, the performances need to be really strong for a film of this kind to work. That is the case with Michael B. Jordan as Steve, who convincingly plays the winning, popular, untouchable jock but also conveys some hidden depths when allowed to. However, the true standout is Dane DeHaan who is asked to deal with far more range in a film of this kind than you’d expect and is magnetic and captivating in all facets of his character. The scripting shows a certain amount of restraint in many of his scenes and intonation and expression have to convey a lot and he does.

There’s an air of mystery to the story even after the inciting incident as you learn with the characters but are still not overly-inundated with facts.

The sound mix is rather effective, especially as it counterbalances with certain moments of dead silence paired with powerful images. The visual effects aren’t as flashy as some other films but very strong.

I tend to try and avoid things that can be construed as pull quotes but the film did get quick a few visceral, nearly unconscious reactions from me I laughed, I was was on the verge of tears a few times and my jaw literally dropped at least once.

I have the few small reservations mentioned above but many prejudices I had coming in vanished entirely and I came away resoundingly impressed with this film.

9/10