In Memoriam: Bobby Breen (1927-2016)

Introduction

While this In Memoriam starts more like a traditional obit, I continue in my new tradition of enlivened posts, as opposed to Gene Wilder, where I posted clips, here I have entire features where you could build your own film festival if you want. Thanks, public domain!

Bobby Breen

Bobby Breen passed away on September 19th, 2016, he was born Isadore Borsuk in Montréal, Québec, Canada on November 4th, 1927; he was 88. His parents were Jewish immigrants from modern-day Ukraine (then USSR).

While the case with most child stars was that their parents that pushed them, Breen’s parents did not. His much older sister, a music student, discovered his talent and allowed him to pursue a career shortly after they moved to Toronto.

He was touted as the boy soprano. His voice is undoubtedly incredible but what’s really intriguing is the films are truly built around him and showcasing his singing.

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Bobby Breen and his sister.

Shortly after his first gig at a nightclub he started entering and winning competitions. In 1934 he was on a bus to Chicago and working in the theatre, with his surname already changed to the more anglophonic Breen.

A year later he was in Hollywood and Sol Lesser, a producer best known for discovering Jackie Coogan and being involved in many Tarzan renditions, signed him to RKO.

Films

After some radio appearances his first film, Let’s Sing Again was released. Most of these videos are links to whole features. Enjoy!

After its success RKO signed him to a three-picture deal.

Rainbow on the River (1936)

How good or bad the films he was in usually hinged on how naturally the opportunities for him to unleash his voice were folded into the plot. On the rare occasion both of these combined perfectly.

Make a Wish (1937)

 It may not be the best film he was in, I’d argue the melodrama Make a Wish was, but it may be the best showcase of his singing talent.

Way Down South (1939)

You can get this film on DVD with a great introduction by Lou Lumenick:

Breaking the Ice (1938)

However, like all his films it ends well and enjoyable enough to watch and there is decent spacing and plenty of singing.

Hawaii Calls (1938)

In 1939, following Escape to Paradise, and with two more films still on his contract. He retired from the industry.

 

Four films Bobby starred in were nominated for Academy Awards in scoring categories so they were fine productions.

Life After Film

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In a 1977 article he discussed his decision to leave the industry:

When you’ve been a child star and suddenly find yourself with a husky voice, it’s hard to convince agents that you’re not over the hill. I stopped singing at 16 because of the huskiness and took up the piano. I had the knack for it, but never wanted to be a concert pianist. I just wanted to be back in the world I’d known all my life.

In 1942 he returned to appear in Johnny Doughboy as himself. This film is very hard to find, save for wildly overpriced Amazon resellers.

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He served in the army during World War II, and despite not performing at the time, was recruited to entertain the troops along with Mickey Rooney. He did see action on the battlefront though. In 1945 he was hospitalized in France and won a Bronze Star after the war was over.

After retraining his adult voice over time he did return to performing in his new tenor range.

In 1964 he recorded an album with Motown called Better Late Than Never, which was not claimed not to be released. However, that song and some of his other recordings can be found on Spotify. These were his first recordings since 78 rpm releases in the 1930s.

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In his later years he was living in Tamarac, Florida and was running Bobby Breen Enterprises which focused on local talent after having managed bookings of what he called the “Condominium Circuit” which meant hiring aging stars of the past.

Breen was also featured on the cover of the Beatles Sgt. Pepper’s Lonely Hearts Club Band.

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He and his wife Audre died in the same week.

Conclusion

When I heard the news I thought I wouldn’t put down more words than these:

I have found more to say as I wanted to share these under-viewed films and his incomparable singing. The sad truth is that far too often human nature dictates that we don’t look to the past too often unless we hear of a death. However, since I first saw his films I’ve written of them, and saw this as a last chance to alert the uninitiated that there’s more out there than you realize, and you don’t know what you’re missing.

Rest in peace Bobby, may choirs of angels come to greet you.

Stephen King Properties Awaiting Adaptations: Bachman Books

Introduction

It recently occurred to me to consider the Stephen King works which are not yet  films and which may be most suited for adaptation. I will take this task on in separate posts.

The Running Man and Thinner already exist, so the books in this realm where Stephen once wrote under a pseudonym on rainy days would rank as follows in my estimation:

5. Rage

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Last year I acquired the original release of The Stand from 1978, that runs quite a few hundred pages shorter. With that I no longer have any literary white whales. The first one I had was Rage, and it took me a while. I didn’t acquire The Bachman Books when they were still readily available.

After much searching in the days before online shopping was easy, I just happened to see it on the shelf at my friend’s house. I freaked out. I needed to at least borrow it. He voluntarily gave it to me.

It remains the only King book I read in a day. Time and distance from being angered by feeling the need to pull it from print have given King a good perspective on the story independent of the controversy its caused. He discusses it in Guns, and I agree entirely with his take.

While I feel The Long Walk is just detached enough from reality to connect to modern audiences this one hits a little too close to home. It’s truly a wrenching, fascinating, and brilliant work. Sometimes we just can’t have nice things, or in this case nasty things that make you think.

4. Blaze

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This one  that would be a challenge in similar ways to Roadwork (below). However, with all the different interpretations of mental illness and voices in people’s head that exist in movies there are quite a few interesting ways to go about this one.

3. The Regulators

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My impression of The Regulators may have been affected by the fact that I read it long after I did Desperation, which was my introduction to Stephen King and had me hooked as a Constant Reader from there.

I think the best way to make this idea work would be to translate the concept of the book’s companionship to the screen, which would entail a remake of Desperation and have the same cast play very different parts in the dueling films. It would be fascinating to watch, especially if you had the same creative team behind-the-scenes.

2. Roadwork

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While I had to use some analytical chops to grin and bear it as I placed a title that was not my absolute favorite in a subset as number one I will start lobbying for my favorite by saying: a story a solitary man who loses it as he refuses to accept a buyout so his house can be bulldozed to make way for a freeway is not a high concept. It’s an insular one, with a lot of inner monologue and flashes. That’s what I love about it and the challenge of it is intoxicating. In my informal independent study during film school I took upwards of 30 pages of notes on how exactly I would translate this story to the screen.

It was in that note-taking, and practice attempts with a tales by Lovecraft, King, and Lumley that I formed an adaptation style that aided me in writing and directing a Dollar Baby of Suffer the Little Children I was fortunate enough to be given the permission to work on.

So, yes, there is a soft spot that elevates this one, but if you haven’t discovered it yet you should.

1. The Long Walk

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I place The Long Walk first not because it’s my favorite Bachman title, but despite its violence, it’s the one I’m most surprised that has not been adapted. It’s an indie film budget’s dream. The concept is a simple dystopian premise that’s far more likely to be palatable to today’s audiences than it would’ve been in the 1980s.
Postscript

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Kirby McCauley, King’s literary agent, posed as Richard Bachman for author pictures.

When Blaze was released in 2007 it was branded by King as a “trunk novel” meaning it was an old Bachman title he unearthed and edited for release, while still using the pen name. I hope there are more.

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When recently J.K. Rowling’s pen name of Robert Galbraith was outed it was kind of like Déjà Vu. I’ve read of how pissed Stephen was when Bachman was found out, and I empathized with Rowling as well. Though clearly the revelation that Rowling was Galbraith inevitably spiked the sales of the first book in Cormorant Strike series, and all subsequent releases – it’s clear there was a reason she felt the need to write under a pen name and now that freedom from name, fame, and expectation is gone from both of them. I admire her not giving it up and I hope Steve still knows what Richard’s up to.

Harry Potter and How It Changed My Life

In 2011 Rohan Gotobed was a small part of the cast of Harry Potter and the Deathly Hallows, Part 2. He played Young Sirius Black in a flashback. As such, he was listed among the nominees and winners of my annual BAM Awards.

Being a young person in this day and age in a film as massive as the Harry Potter series he developed a following, and was known to people for a brief film appearance. It’s the kind of notoriety that could turn bittersweet, or stop being sweet altogether. But with the below post on his experience being part of the Wizarding World, Rohan reveals a great wisdom, and  perspective on things. Whatever the future holds  it’s great to see he sees his brief involvement in the series as a blessing, as a bonus he provides and update on his now resurgent acting career.

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In a weird way, I often think about how much my time during high school mirrored Harry’s time at Hogwarts. When I turned up aged 12 in 2010, I immediately became known as “the Harry Potter kid”, mainly because I had already introduced myself as being in the next Harry Potter film. Had Snape been my chemistry teacher, I’m sure he’d have prefaced our first lesson with “Rohan Gotobed, our new… celebrity.” Like Harry, I was an object of weird fascination.Then, once the film came out and everyone realised I was only in it for six seconds (my friends counted), I felt a lot like Harry probably does about 99% of the time. However, there were always younger Colin Creevey-esque students who were fascinated with me, and I probably split opinion between teachers as to whether I was lovely or arrogant. Then, came sixth form, I began to book more…

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Mike Pence’s Mulan Problem

So, here I am again discussing another Disney reading – or rather a conspiracy theory. This one concerns Mulan and was proffered by newly-minted Vice Presidential candidate Mike Pence when he was a conservative talk show host in Indiana. On his show’s site he penned an op-ed which postulated that Mulan was liberal propaganda, and, in his mind, proof that women should not serve in the armed forces.

The approach I will take to examining this claim is a mostly film theory based. He’s politicizing the apolitical and therefore I will keep most of my discussion focused on his assessments and whether they are truly contextualizing plot and themes correctly.

So let’s begin.

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It starts with the title of the piece (pictured at the bottom of this post): “Women in the Mulan Military.” It’s objectively nonsensical. In the film Mulan there is one woman in the military. She is not allowed to be in the military and poses as male. Or is the lack of proper italicizing to indicate that allowing women to serve “Mulans” our military? Which also makes no sense.

Lack of coherence in titling already paves the way for flawed reasoning.

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In a not-so-minor grammatical note he writes “Fathers Day.” Sorry. It’s Father’s Day. If you are a father it’s your day rather than the day of all fathers. Possessives are important. Already he’s not even made his point and I’m less likely to give any credence to his arguments.

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Then he claims the popularity of the film was all induced by McDonald’s. This gives you a sense of his understanding of the film industry. Disney animated films were on a hot-streak at the time, they always appeal to kids, and McDonald’s tie-in is the work of Disney Marketing not some insidious McDonald’s agenda. Furthermore, it shows his bias from the start. He’s not even synopsized the film yet.

In a film with an anthropomorphized dragon, a fictional creature to begin with, and a cricket in the same vein, he critiques the likelihood of Mulan’s military prowess:

Despite her delicate features and voice, Disney expects us to believe that Mulan’s ingenuity and courage were enough to carry her to military success on an equal basis with her cloddish cohorts.

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Mulan and the voice actress who played her Ming-Na Wen

It’s uncertain how one can read that sentence any thing other than sexist. Apparently, Pence can suspend disbelief on common Disney tropes but a pretty girl who can fight is crazy. Not to mention the fact that this film establishes her as accident prone, and then does a traditional training montage to show the improvement of her martial skills. To Pence’s mind she has to look like G.I. Jane or a butch lesbian to be able to fight.

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If anything in this piece almost holds water it’s this next passage, but even that misses the mark:

Obviously, this is Walt Disney’s attempt to add childhood expectation to the cultural debate over the role of women in the military. I suspect that some mischievous liberal at Disney assumes that Mulan’s story will cause a quiet change in the next generation’s attitude about women in combat and they just might be right. (Just think about how often we think of Bambi every time the subject of deer hunting comes into the mainstream media debate.)

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This is another case of vastly overrating the influence of media on reality. Apparently the integration of women in combat roles during the Gulf War or on combat ships in 1993 or flying combat missions during operation Desert Fox in 1998 doesn’t set-up a childhood expectation just movie about a Imperial Era Chinese girl, who goes only to protect her father and promptly quits when the war is over. That’ll get girls wanting to be in 21st Century wars they “shouldn’t be in.”

As for Bambi, I don’t know anything about deer hunting debates. I didn’t know they existed. I know there is a season for it and regulations around it. Maybe that’s an Indiana thing. Bambi, however, I do know. It was the first movie I remember seeing at the movies. Bambi’s mother’s death is scarring because it’s his mother not because it’s a deer taken down by a hunter. Hunters shoot deer. That’s a fact. In anthropomorphizing forest animals a logical assumption, divorced of political leanings, is that animals would fear hunters. If you think Walt Disney knowingly put liberal propaganda in his films, you don’t know enough about Walt Disney – which he probably doesn’t because even though this piece is from the late ’90s he refers to Walt Disney, the man who was dead more than 30 years, and not Disney, the company that bears his name. Lastly, people twist things up over time. Like the fact that the name Bambi is used almost exclusively for girls in real life even though Bambi in the film is a buck.

From there Pence goes on a tangent about scandals like Tailhook and the Aberdeen Proving Grounds. His assessment: men and women stuff will happen. It’s classic victim blaming. It’s like saying “Well, if they weren’t in the military they wouldn’t have been raped and molested.” Try weeding out the rapists and molesters instead.

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When he ties it back to Mulan he states, in closing:

It is instructive that even in the Disney film, young Ms. Mulan falls in love with her superior officer! Me thinks the politically correct Disney types completely missed the irony of this part of the story. They likely added it because it added realism with which the viewer could identify with the characters. You see, now stay with me on this, many young men find many young women to be attractive sexually. Many young women find many young men to be attractive sexually. Put them together, in close quarters, for long periods of time, and things will get interesting. Just like they eventually did for young Mulan. Moral of story: women in military, bad idea.

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Methinks methinks is a compound word.

As for the supposed irony, it’s irony that is informed by Pence’s sexist viewpoint. The subtext of that sentence is: a woman in the military either falls in love with her superior officer or is raped. Yes, there’s Disneyfication like the addition of animal sidekicks, and yes there is a romantic interest; however, that builds additional conflict (the key to drama) as to show one’s feelings could betray her gender, which she is hiding after all.

This is the same kind of knee-jerk reactionary propaganda decree that leads to people thinking Muppets want their children to be Communists or that Frozen will make their daughters lesbians.

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Jenn Lewis/BuzzFeed

The film is actually one of the earliest feminist characters in the Disney pantheon. She takes matters into her own hands, is a non-conformist, and almost never allows herself to fall to the mercy of a patriarchal society. Pence’s oversimplified statement would make sense if we lived in a bygone era, but we don’t. Politics aside he misses the moral entirely. Mulan doesn’t join the military because she really wants to behead some Huns nor does it caution us about our daughters running off to fight wars incognito.

Mulan pleads for her father to be excused as he is aging and injured. This plea is rebuked. She runs off and takes her father’s place. She risks her freedom and life to protect him. It’s a story about courage, sacrifice, and the family value of honoring elders.

The story is set when it was first written in a poem in about the 5th century. It was a far more impressively progressive statement then than it is now. Apparently, some aren’t ready to come out of the 600s.

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In Memoriam: Anton Yelchin

As I’ve stated many times in the past, I don’t automatically feel the need to write an In Memoriam piece. Removing exercises of necessity was a lot of what starting my own blog was about. Therefore, the shock and tragedy of the loss of Anton Yelchin at far too young an age were not enough to spawn this post. His impact would have to be great enough, and it most definitely was to me.

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However, greater still inasmuch as in recent years Yelchin’s output on the indie scene have been both notable and among those that, sadly, I’ve had on my radar but have remained blindspots. What I did see was enough for him to make his mark, enough to make him notable enough for me to say in my review of 2011’s Fright Night:

Anton Yelchin, who may not be a household name yet but has certainly done his fair share of films and should be recognizable to most.

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However, Yelchin had made his presence known to me a decade earlier as he came to personify on film the character of Bobby Garfield in the film version of Hearts in Atlantis. It was one of my first experiences having read something and then seen the movie and he was quite impressive. Had 2001 not been as stacked as it was he may have been nominated for a BAM Award for it. Hearts in Atlantis kicked off a triple feature I took in thanks to a favorable movie schedule. I believe it was my first post-9/11 movie outing.

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He also turned in noteworthy performances in Alpha Dog, as an ingénue getting caught up in a seedy underworld, and in Charlie Bartlett where he played a very different sort as a scheming, smart alecky charmer who turns his private school on its head. And, yes, he went on to become Chekhov in the latest Star Trek franchise. The significance there to me, personally, as one who has seen all the films but never been terribly enamored with the show, was that he made me appreciate the character on a whole new level I never had before. Furthermore, being a Russian Jew and emigrating to the US at six months of age, it was great to see him in a part that was reflective of his background.

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Some of his recent notable indie turns I need to take in are Burying the Ex, The Green Room, 5 to 7, Cymbeline, and Like Crazy.

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Filmography aside another interesting note is that his death in a freak accident has made me want to revisit his works I know, see those I haven’t and as bittersweet as it will be I very much want to see his five soon-to-be-posthumous releases, including the next Star Trek. This is contrary to my reaction to Robin Williams’ death, which has made me unable to watch his films since.  I can’t say circumstances always effect my viewing reaction postmortem, it’s just notable that in these two, most recent sudden deaths they’ve affected me differently, even though they are personas I held dear. Clearly, as is the case with all celebrity deaths that can affect us, we lament for ourselves and the image we’ll be deprived of and ponder the what ifs of future works. His work, will continue to live on as only film can, and thankfully, his prolific nature will give us a few more glimpses of his talent from beyond the Vale of Tears that separates us from the hereafter.

At 12, he was interviewed about Hearts in Atlantis, and the recent events of 9/11 clearly were addressed in the questioning (how could they not be?); A wise-beyond-his-years Yelchin said:

“I know a lot of people wouldn’t want to come to movies at this time, but this is a movie that gives you a good feeling. It is a movie about a friendship and about people who love each other.”

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Hearts in Atlantis did leave me with a good feeling as did much of his work. But that one, even if it wasn’t my favorite, came when I needed it, it was part of a day where I started reclaiming my life, where I found I could watch movies again. Yelchin was a part of that day in a small way and for that I am eternally grateful.

Rest in peace.

Short Film: Meet A Muslim

Introduction

If you wish to merely view the short film scroll to the bottom, and enjoy! If you want some of my reasoning for selecting it today, read on.

Statement

I happened upon this short film on Facebook the other day and I wanted to share it on Saturday, but I’ve been slacking on this blog. In light of today’s events in Orlando, it bears sharing.

It’s exhaustive to have to have to constantly remind people that there over a billion Muslims in the world and a prerequisite of the faith is not fundamentalism, which is the largest danger.

Other faiths, ethnicities, and races have perpetrate horrid acts in the past, sometimes as the will of a majority rather than a minority. It does not mean we should shut out the world.

The sole comment I got to this video on Facebook reconfirmed my commitment to sharing it. Furthermore, inspired some pseudo-poetry on my part.

I refuse to judge…

Americans by the Ku Klux Klan,
Germans based on Nazis,
Muslims based on Al Qaeda or Isis,
Christians by the Crusaders.

I refuse to judge.

I refuse to live in fear of…

Americans,
Germans,
Muslims,
Christians.

I refuse to live in fear.

If you choose to live in fear
you truly fear to live.

And that’s the bottom line: it’s choice, this exclusionary fear. You can read here how closely the events of 9/11 affected me. Not that I’ve been immune since; I’ve breathed a sigh of relief, trembled and cried when friends and family “checked in as safe” on Facebook. But again it’s a choice.

I am not a Muslim, but I have met some. I identify with the group that was targeted in this latest heinous act of terrorism, but I choose not to generalize. In his groundbreaking documentary on the Holocaust, Night and Fog, Alain Resnais asks: “Who is responsible then?” In answering this question lately we, as a society, have a tendency to be far too inclusionary in assigning blame. The blame is not to be split a billion ways. The sole blame for the act lies with one man and one extremist organization. A list of enablers is a bit longer but features many more “home grown” culprits.

It’s also important to note that this attack and the thwarted one in Los Angeles comes during the month of Ramadan. Plotting this sort of act contrary to the teachings of Mohammed during the holiest of months shows you how far afield this sort of action is from the core of the faith.

Suggested NBA Stars for the New Space Jam

So, it would seem that the long-rumored Space Jam sequel starring LeBron James is finally happening. Of course, once this started making news sports talk radio, most notably Mike & Mike, started speculating on which NBA players would be joining King James’ team in this film.

Now, the approach the Mikes, who I have enjoy greatly, took is the obvious one of matching the player in the original to a modern-day equivalent as best they could.

Two things I realized made this approach ineffective: firstly, only the most notable players were mentioned in their debate.

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Here were the non-Jordan players in Space Jam; firstly, those credited:

Charles Barkley
Patrick Ewing
Muggsy Bogues
Larry Johnson

Some lesser caliber players were also credited:
Shawn Bradley
Vlade Divac
Cedric Ceballos
Danny Ainge
A.C. Green
Charles Oakley
Derek Harper
Jeff Malone
Anthony Miller
Sharone Wright

Then there are a few who were uncredited:

Bill Wennington
Brian Shaw
Scottie Pippen
Luc Longley
Steve Kerr
Horace Grant

If you have any familiarity with basketball you’ll most likely note that some of these names were more relevant in 1996 than they are now and have faded into obscurity. Now you can’t exactly cast hoping to be timeless only hoping to make it as relevant as possible to the audience you’re appealing to. However, it seems to me, even bearing in mind the league in 1996 that some bigger names could’ve been found.

Furthermore, the fact that LeBron is a player of a new age, and is more gregarious with opposing players than Jordan was could make casting easier. That and the proliferation of media and advertising could bring many more recognizable names into a film this time around. Here are my ideas:

Firstly, I think some of the funniest ads around now featuring athletes are the State Farm ones most notably the Hoopers. That’s a nucleus of actor/athletes right there, droppin’ dimes!

Damian Lillard
Kevin Love
Chris Paul
DeAndre Jordan
Kevin Garnett

Not only do they already work together in a popular campaign but DeAndre Jordan playing the sitcom mom of the bunch is a good link to Larry Johnson’s Grandmama persona, which is hard to fill.

That makes five players. The original included 20 players, but I will explain why I think half that number is suitable for this film.

Kobe Bryant’s recent ad with Michael B. Jordan make him a strong contender. The original film didn’t have retired or about to be retired players but in this day and age I feel players stay in the public eye a bit longer so it makes sense to do.

Some players whom LeBron has shown a bond with in his career could also join the cast so add Dwyane Wade and Carmelo Anthony.

Not just trying to match one European-born player for another I suggest Kristaps Porzingis mostly due to his FIFA-loss reaction.

Maybe being the 21st century it’s an opportunity to give Crying Knicks Fan a cameo, and while we’re on Internet sensations, can we possibly include Crying Jordan memes?

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In fitting with the soon-to-explode NBA salary cap, clearly this sequel will have more big name talent and require Warner Brothers to shell out more for the basketball talent involved. However, one issue Warner Brothers needs to address from the first film is giving the Looney Tunes more to do, especially the characters introduced in Space Jam and not re-incorporated since.

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Therefore, cutting the number of basketball stars will allow that focus to be more on LeBron and his animated cohorts, especially the ones that existed prior to Space Jam who WB has done little if anything to keep relevant within the past 20 years. I was not, and am not, a big Space Jam fan. However, anything that can help Bugs and co. attempt a comeback would be most welcome at this point.

Mini-Review: Jack Reacher

Introduction

This is a post that is a repurposing of an old-school Mini-Review Round-Up post. As stated here I am essentially done with running multi-film review posts. Each film deserves its own review. Therefore I will repost, and at times add to, old reviews periodically. Enjoy!

Jack Reacher

This is the kind of film that looks pretty good based on the trailer, but I’ll admit I didn’t rush out to see despite the fact that this film boasts the brilliant move of using Werner Herzog as its villain. My reaction to the trailer was that it seemed like those bits would be the highlights. It does, however, expound upon that with good action sequences and an intriguing web of mystery that’s well executed in visual and cinematic terms. It’s another winning project for Tom Cruise, who remains one of the few actors who can consistently find star vehicles that work on a narrative, financial and aesthetic level.

8/10