DVD Review: A Royal Affair

As I mentioned the last time I did a DVD review, I don’t do them too often. I do prefer writing them when I didn’t write about a film I enjoyed upon its initial release. Thus, when I saw that A Royal Affair was coming around on DVD I decided I would do so.

I saw the film just before my annual year-end dash to see a multitude of titles and bolster my BAM Awards field. Its being the Danish submission and eventual Golden Globe and Academy Award Nominee also helped bring me out to it. However, I will admit that its costume drama nature did give me some trepidation, as did, as much I hate to admit it, its length.

I was glad to report then, and even gladder now, that I enjoyed it a great deal and it held up to a re-screening.

What brings this film jumping off the screen is that it doesn’t put the cart before the horse. It doesn’t make costume or historical accuracy as paramount. It immediately places the audience in a position where it can identify with the young queen and quickly plunges us into the loveless, arranged royal marriage and the torrid romantic love affair. Nearly as soon as the players and politics can be quickly established, we go into the personal matter.

What watching the DVD, with all its features underlined, is that the tale was rendered in a rather universal way, even though director Nicolaj Arcel wanted to bring the story to the big screen because it’s a big, great Danish tale that had not yet seen a silver screen rendition. What’s more interesting is that he learned of the more rounded nature of Carolne Mathilde’s character and her diaries in researching the film, and it created a great frame.

And this background information also lends some insight into the selection of the film as the Danish representative. As much as I, and many others, enjoyed it, I cannot judge how it stacks up to its competition, but it has now been underscored for me the national importance the tale has.

Most of these factoids were things I gleaned by listening to the three interviews (Mads Mikkelsen, Nicolaj Arcel and Alicia Vikander). The other bonus features are the standard trailer and two interesting royal tidbits: portraits and bios of key players in the film as well as royal family trees which trace both the Danish Royal family just prior to the film to the present, as well as the British Royal family to the present, as Caroline Mathilde was English.

The film is highly engaging, well written and excellently performed. When all was said and done it was nominated for a BAM Award last year (Mikkel Bo Folsgaard for Best Supporting Actor0.

It is available on DVD and Blu-Ray from Magnolia Pictures home video now.

9/10

My Ballot: LIONs for LAMBs and The OMIEs

As I indicated earlier, when there are public or open to membership voting that I qualify for, I will write a post here to discuss my picks and to publicize the poll. I have included two polls here.

They are both run by the LAMB, the Large Association of Movie Blogs, of which I am a part, or a member thereof. The first is Lions for the Lambs, which seeks ranked submissions in various categories. Since that closely reflects my BAM Award selections, I also included my Omie choices where I more closely considered “Oscar-viability” in my decision-making process.

LIONS for the LAMBs

Best Film

1. Django Unchained
2. The Turin Horse
3. Anna Karenina
4. The Dark Knight Rises
5. North Sea Texas
6. The Cabin in the Woods
7. Les Misérables
8. The Dynamiter
9. The Perks of Being a Wallflower
10. Kauwboy

Best Director

1. Bela Tarr The Turin Horse
2. Quentin Tarantino Django Unchained
3. Bavo Derfune North Sea Texas
4. Joe Wright Anna Karenina
5. Christopher Nolan The Dark Knight Rises

Leading Male Performances

1. Daniel Day-Lewis Lincoln
2. Hugh Jackman Les Miserables
3. Denis Lavant Holy Motors
4. Matthew McConaughey Killer Joe
5. Logan Lerman The Perks of Being a Wallflower

Leading Female Performances

1. Keira Knightley Anna Karenina
2. Tilda Swinton We Need to Talk About Kevin
3. Magaly Solier Amador
4. Noomi Rapace The Monitor
5. Erika Bók The Turin Horse

Supporting Male Performances

1. Leonardo DiCaprio Django Unchained
2. Samuel L. Jackson Django Unchained
3. Eddie Redmayne Les Misérables
4. Mikkel Boe Foesgaard A Royal Affair
5. Matthew McConaughey Bernie

Supporting Female Performances

1. Anne Hathaway Les Misérables
2. Samantha Barks Les Misérables
3. Gina Gershon Killer Joe
4. Sally Field Lincoln
5. Anna Gunn Sassy Pants

Best Screenplays

1. Patrick Wang In the Family
2. Bavo Defurne and Andre Sollie North Sea Texas
3. Quentin Tarantino Django Unchained
4. Laszlo Krasznahorki and Bela Tarr The Turin Horse
5. Tom Stoppard Leo Tolstoy Anna Karenina

Best Foreign Film

1. The Turin Horse
2. North Sea Texas
3. Kauwboy
4. Holy Motors
5. The Raid: Redemption

As for the Ormies, as intimated above, it’s more of a snubbed award so here are my choices based on Oscar expectations. A few are admittedly wished-for surprises. These are open to anyone. Submit your choices here via email.

Best Picture

The Perks of Being a Wallflower

Best Director

Tom Hooper Les Misérables

Best Actress

Keira Knightley Anna Karenina

Best Actor

Matthew McConaughey Killer Joe

Best Supporting Actor

Leonardo DiCaprio Django Unchained

Best Supporting Actress

Samantha Barks Les Misérables

Best Original Screenplay

The Cabin in the Woods

Best Adapted Screenplay

The Perks of Being a Wallflower

Foreign Language Film

Kauwboy

Animated Film

Rise of the Guardians

Documentary

Bully

Original Song

“The Big Machine” Safety Not Guaranteed