BAM Best Picture Award Profile: Day Watch (2007)

Each year, I try and improve the site, and also try to find a new an hopefully creative and fun way to countdown to the unveiling of the year’s BAM Awards. Last year, I posted most of the BAM Nominee and winner lists (Any omissions will be fixed this year). However, when I picked Django Unchained as the Best Picture of 2012 I then realized I had recent winner with no write-ups. I soon corrected that by translating a post and writing a series of my own. The thought was all films honored as Best Picture should have at least one piece dedicated to them. So I will through the month of December be posting write-ups on past winners.

Day Watch (2006)

Firstly, it must be said that I cannot recommend you go out and see Day Watch unless you’ve seen Night Watch first. Yes, this is a sequel. In a way similar to what occurred in 2002 this is a sequel that is a game-changer. However, while Attack of the Clones merely changed Star Wars in my eyes, giving me a glimmer of what it is that drew the fanbase; The game-changing here is completely narrative-based. I cannot get too deeply into except to say that it’s a second installment that not only trumps the first entirely, but also sets the table for almost anything and everything to happen in the third.

Now the bittersweet follow-up to that sentiment is that the third installment, at least on film, may never come. The films are based on a trilogy of novels by Russian authors Sergey Lukyanenko and Vladimir Vasiliev. As best as I can tell co-writer and director Timur Bekmambetov still has ahold of the rights. While I was tempted to be mad at him for coming to the US and directing and producing things I either didn’t like or had no interest in seeing, I read a while back that one of the hold-ups was that financiers wanted to make a third installment in English, which I am against. If that’s the case I applaud the holding out.

Leading me to my next point that if you do seek these films out do so by watching with the original audio. I’ll not bash dubbing all the time, but when it’s bad it’s awful and the dubbing here is the worse. Aside from the fact that you hear the actors speak in the Russian language version you also get some of the most creative implementation of subtitles that you’re likely to see. The text floats about where it makes the most sense for it to be, the lettering is stylized and dynamic and is every bit as much an artistic statement .

At its very core, when boiled down to a bare minimum, yes this is a narrative like others you’ve heard of before. The series is a tale of the eternal unseen battle between forces of darkness and light in a very literal way. However, it’s the adornments, the style and the production that give the films their added flair and meaning. It’s also not a film whose cultural setting is inconsequential, which is a large part of why an English-language follow-up would be a mistake, being a Russian story very much factors into this film.

This was the first year my awards went to 10 Best Picture nominees. I cited it as not being a very strong year at the time, but the top couple of films were quite memorable. Even if this series never sees completion this is quite a way to go.

BAM Award Winners: Best Director

So both here and in Best Cast there was some revisionism over the years, however, rather than try and readjust things I’ll just let things stand where they are at current.

The Best Director category is an interesting one because it is usually, in the mind of many, inextricably tied to the Best Picture winner. There is a certain logic to that, however, they are two rather different awards when you boil it down. In Best Picture you pick the story and the production. In Best Director you are picking a visionary and the architect of a production. There are times when the direction of a film will outshine its narrative or overall impact or a story that is wonderful but handled with a rather invisible hand that allows splits to occur.

I have five such splits in 1997, 1998, 20052012, 2015 and 2020; none of which I was hesitant at all about.

2020 Sam Mendes 1917

2019 Jordan Peele Us

2018 Bo Burnham Eighth Grade

2017 Andy Muschietti It 

2016 Gareth Edwards Rogue One: A Star Wars Story

img_3464

2015 George Miller Mad Max: Fury Road

Mad-Max-Fury-Road-Tom-Hardy-George-Miller

2014 Daniel Ribeiro The Way He Looks

The Way He Looks (2014, Strand Releasing)

2013 Gavin Hood Ender’s Game

Ender's Game (2013, Summit)

2012 Bela Tarr The Turin Horse

Bela Tarr

2011 Martin Scorsese Hugo

2010 Christopher Nolan Inception

zz5ecbaba4

2009 Spike Jonze Where the Wild Things Are

Where the Wild Things Are (2009, Warner Bros.)

2008 Tomas Alfredson Let the Right One In

Thomas Alfredson

2007 Timur Bekmambetov Day Watch (Dnevoy bazar)

Timur Bekmambetov

2006 Richard E. Grant Wah-Wah

2005 Ingmar Bergman Saraband

Ingmar Bergman on the set of Saraband (Sony Pictures Classics)

2004 Jacob Aaron Estes Mean Creek

Jacob Aaron Estes

2003 PJ Hogan Peter Pan

Peter Pan (2003, Universal)

2002 George Lucas Star Wars: Episode II: Attack of the Clones

George Lucas (2002, Lucasfilm)

2001 Steven Spielberg Artificial Intelligence: A.I.

Steven Spielberg (DreamWorks)

2000 Julie Taymor Titus

JULIE TAYMOR PRESENTS BOOK OF HER FILM 'TITUS'

1999 M. Night Shyamalan The Sixth Sense

M. Night Shyamalan on the set of The Sixth Sense (Hollywood Pictures)

1998 Steven Spielberg Saving Private Ryan

wpid-photo-sep-14-2012-622-pm1

1997 Neil Mandt Hijacking Hollywood

1996 Lee Tamahori Mulholland Falls