In the last of the remaining re-posts here is a list of my 2009 BAM Award Winners complete with my rationale for each. Again, the text (save for minor grammar and syntax corrections) is mostly unchanged, in order to preserve my thoughts from the time accurately.
These awards and their winners are based on my opinion alone.
One of the most emotionally engaging experiences from beginning to end in a long time and also a purely visual film. When comparing all other Best Picture nominees, all of whom where great, nothing quite lives up to this.
Spike Jonze Where the Wild Things Are
It always takes something very special to split Best Picture and Best Director and that didn’t happen this year. However, here you have a case of a film thriving due to the vision of its director. A man amongst the few who can truly be called a visionary and who had such a clear concept of this adaptation that Maurice Sendak endorsed it in featurettes leading up to the release. Spike Jonze made this film happen beginning to end struggles with the studio and all.
Colin Firth A Single Man
A performance which is reserved when the character is trying to be as such is great, however, it is when that reserve cracks that the true greatness bubbles over: when he’s questioned by Charley, when he’s trying not to let his voice crack on the phone and tears are rolling down his face, when he’s allowing himself to be happy and many other moments.
Michelle Monaghan Trucker
During this performance Monaghan reminded me of several different leading ladies such that her persona was unique and all her own. She plays a frustrated, somewhat immature, lonely woman and while she never fundamentally changes who she is. We do see her change in her attitude and behavior. She’s a gritty, tough character who does not hesitate to run out into the street and protect her estranged son at the first sign of trouble. It is a moving and complete performance and it is great.
Christoph Waltz Inglourious Basterds
Absolutely the easiest decision to make. This performance is the work of a virtuoso in action. How Waltz remained unknown to the American public this long is a mystery and it’s a credit to Tarantino that he cast him.
Diane Kruger Inglourious Basterds
A strong an impactive part very deftly played by Miss Kruger. She is believably a movie star, a lady of society and a spy. She is quite convincing in pain and like Waltz perfromed in more than one language astutely which is very admirable indeed.
Norman Cohn and Félix Lajeunesse Before Tomorrow
This is a film which spends a lot of its time in the cramped confines of a tent or cave but also shoots majestic arctic vistas. However, landscape and wilderness cinematography is not enough to win there is framing and exposure to consider and how these shots tell the simple story of the film which is just enchanting. The fire-lit scenes inside allow for added intensity in the simplest scenes and day scenes in tents allow for diffused backlight.
Creepy and effectively done job on several fronts where makeup and not effects were used.
Hyperbolic critical acclaim not withstanding this film never escalated whatever tension it did build far enough to be a satisfactory experience. How it can be cited by some as one of the scariest movies they’ve ever seen is a mystery.
Most Underrated Film
Aliens in the Attic
A grossly underrated family film that is reminiscent of 1980s family films and sci-fi. It’s funny and a pretty good action film at the same time.
The tagline says it all: “There’s something wrong with Esther.” This is a movie that starts going downhill and never stops.
Mark Day Harry Potter and the Half-Blood Prince
This film feels so much shorter than its running time. Everything is always visually clear the story is told well and none of the cuts leave you scratching your head.
“Quiero Que Me Quieras” Gael Garcia Bernal Rudo y Cursi
As catchy as the original, if not catchier, “I Want You to Want Me,” however, this version has a Northern Mexican flair and also a very comedic side as can be witnessed here.
Carter Burwell and Karen O. Where the Wild Things Are
The score to Where the Wild Things Are not only made itself instantly felt and known but also played on a loop in this critic’s head for at least a solid week.
This version of the award truly combines the edit and the design and both, from what can told in a single screening, are great in this film.
Probably the most impressive display of effects that has graced the silver screen in a long time. This is truly a technical milestone and it appears WETA has surpassed ILM at least for the time being.
A Single Man
The intimacy of scene in A Single Man is as cinematic as you can get. There are flashbacks, two-person parties, conversations in hushed tones and all demanding that scene partners match Firth. While it’s true he’s frequently alone it is through his character’s interactions with the world that we learn about him and for that the whole cast needs to be up to snuff, whether it be leads or smaller characters like Carlos and Jennifer Strunk.
Bill Milner Is Anybody There?
As stated in the review of the film Bill Milner is the greatest actor of his generation, meaning professional child actors around his age, there is seemingly nothing he can’t do just based on this performance and Son of Rambow. Should he continue taking smaller independent work he’ll be allowed to grow and could transition quite seamlessly into an adult career as currently his talents seem boundless.
Quentin Tarantino Inglourious Basterds
It’s an original. The title takes its inspiration from an Italian film of the late 70s about American GIs behind enemy lines but similarities end there. Tarantino doesn’t second guess himself once and he created one of the most unique and enjoyable films of the year.
Spike Jonze, David Eggers and Maurice Sendak Where the Wild Things Are
Jonze spoke about how he worked with Sendak to get something he felt was true. Sandak was quoted as saying he felt this film elevated his work. It was a brilliant adaptation which lead to a brilliant film. It was the rare adaptation which allows for expansion of tale as opposed to its contraction and it succeeded due in part to that fact.
Is Anybody There?
This is a film that not only dresses a house but its roof, the yard, a train station, Clarence’s magic lorry and a cemetery amongst others. There is a muted tonality to everything in the film and there are great conscious decisions made all over the sets and appearing in frames all over.
Where the Wild Things Are
Thankfully CG was only needed for the faces of the Wild Things, and a great job was done there, however, if the Wild Things has been all CG it would’ve greatly diminished the overall effect and charm of the film.