Whenever there is a publicly-voted award in the film world I will share my thoughts and vote here.
The first thing that bears saying is that I may have to mark down on my calendar other open-to-public-voting awards through the year so that I manage to post in this series more than once in a year. Regardless, here we are again at the BAFTAs this time replete with a new sponsor and another Rising Star Award race.
What I really like about this award year after year is that it’s a body-of-work award given to a young actor on the rise. However, on occasion nominees make it mainly on the strength of one performance.
Once again this is a pretty strong field and even though I am not 100% studied on all the candidates this year there are four I have something of a viewing history with. It wasn’t easy but I had a definite choice among these impressive nominees. And, importantly, it’s additional incentive to catch up on the titles making up the other candidates’ work. I have been a bit remiss in seeing some of the award-winning much ballyhooed titles of 2013 namely 12 Years a Slave, which marks one of the most acclaimed debuts in recent memory (Lupita Nyong’o), and Blue is the Warmest Color (Léa Seydoux), though I have seen quite a few Seydoux’s titles and enjoyed her work.
George Mackay is perhaps the best surprise on this list for me. I am familiar with his career as a young actor when he appeared in Peter Pan, which would’ve won a Best Youth Ensemble had it existed (he was Curly), then in the overlooked The Thief Lord, and in one of Daniel Radcliffe’s in-Potter-franchise departures The Boys Are Back. The 2013 titles are ones I have not heard of prior to this announcement, but I look forward to finding them.
Dane DeHaan, already a BAM Award nominee for Chronicle, is a close runner-up for my vote in this award. Had I caught his most recent titles that may have changed my mind, but the odds were stacked against him.
They are stacked against him because of Will Poulter. One of the myriad viewing tasks I’ve wanted to undertake was to see all of Will Poulter’s TV and film work from the UK heretofore unavailable to me. The reason that is that the first two parts I saw Poulter play, Son of Rambow and The Chronicles of Narnia: The Voyage of the Dawn Treader he was not only nominated for my BAM Awards but won (for Son of Rambow Best Performance by a Child Actor and for Narnia Best Supporting Actor). I will soon, thanks to Netflix, see Wild Bill which earned Poulter a London Critics’ Circle Award nomination for Young British Performer of the Year. Son of Rambow set a precedent most young actors wouldn’t be able to live up to, but following very different paths Poulter and Milner have both proved their mettle and staying power. With his nerdy, American persona of Kenny Rossmore in We’re the Millers Poulter, introduces himself to a new audience who witness him only scratch the surface of his capabilities, and really only on the comedic end.
In my estimation, and in the estimation of those who watch more carefully, Poulter has already arrived. However, to most the appearance in We’re the Millers and the forthcoming The Maze Runner adaptation will signal his announcement as a cinematic presence for those who don’t know. He has the credentials but also defines the rising aspect of the award more so than the fellow candidates who have made a bigger, more notable splash in mass media consciousness terms. Simply because in my mind he’s already arisen selecting Poulter as Rising Star is a no-brainer to me.
The Ballot is open through February 14th, 2014. One vote per person, register via Twitter of Facebook.
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