2025 BAM Award Honorees

Just because something’s a cliché doesn’t mean it’s not true. The nomination process is the most difficult part of this and in its own way more significant than who is selected to celebrate.

As mentioned in my nomination post, this year’s delay in nominations were due to the fact that I’ve been acclimating to life following a liver transplant. In keeping with that re-acclimation, there’s a lack of explanations about what tipped the scales in each category, save for the honorary awards. As you scroll, take in and celebrate the nominees, honorees and above all film.

Best Picture

28 Years Later

Bring Her Back

Hamnet

I’m Still Here (Ainda Estou Aqui)

Nickel Boys

One Battle After Another

Relay

Sinners

Weapons

Young Hearts

Most Overlooked Picture

Bring Them Down

Freaky Tales

Relay

The Surfer

Young Hearts

Best Director

Paul Thomas Anderson One Battle After Another

Danny Boyle 28 Years Later

Ryan Coogler Sinners

Zach Cregger Weapons

Walter Salles I’m Still Here (Ainda Estou Aqui)

Best Editing

Tony Cranstoun The Surfer

Geoff Lamb Bring Her Back

Jon Harris 28 Years Later

Andy Jurgensen One Battle After Another

Michael P. Shawver Sinners

Best Foreign Language Film

Not Awarded

Best Actress

Jessie Buckley Hamnet

Jodie Comer 28 Years Later

Sally Hawkins Bring Her Back

Fernanda Montenegro Vitória

Fernanda Torres I’m Still Here (Ainda Estou Aqui)

Best Actor

Tom Basden The Ballad of Wallis Island

Leonardo DiCaprio One Battle After Another

Michael B. Jordan Sinners

John Lithgow The Rule of Jenny Pen

Josh O’Connor Wake Up Dead Man

Best Supporting Actress

Glenn Close Wake Up Dead Man

Ariana Grande Wicked For Good

Amy Madigan Weapons

Mia Sara The Life of Chuck

Teyana Taylor One Battle After Another

Best Supporting Actor

Miles Caton Sinners

Ralph Fiennes 28 Years Later

Benicio Del Toro One Battle After Another

Tim Key The Ballad of Wallis Island

Delroy Lindo Sinners

Best Performance by a Young Actress in a Leading Role

Julia Butters Freakier Friday

Bodhi Rae Breathnach Hamnet

Ana Sophia Heger She Rides Shotgun

Madeleine McGraw The Black Phone 2

Sora Wong Bring Her Back

Helena Zengel The Legend of Ochi

Best Performance by a Young Actor in a Leading Role

Benjamin Evan Ainsworth Everything’s Going to be Great

Isaac Amendoim Chico Bento e a Goiabeira Maraviosa

Billy Barratt Bring Her Back

Christian Convery The Monkey

Lou Goosens Young Hearts

Alfie Williams 28 Years Later

Best Performance by a Young Actress in a Supporting Role

Trinity Jo-Li Bliss Avatar: Fire and Ash

Anna Julia Dias Chico Bento e a Goiabeira Maraviosa

Olivia Lynes Hamnet

Violet McGraw The Life of Chuck

Audrina Miranda Jurassic World: Rebirth

Lorena de Oliveira Chico Bento e a Goiabeira Maraviosa

Best Performance by a Young Actor in a Supporting Role

Benjamin Chivers Fountain of Youth

Jacobi Jupe Hamnet

Miguel Mora Black Phone 2

Benjamin Pajak The Life of Chuck

Jonah Wren Phillips Bring Her Back

Marius De Saeger Young Hearts

Best Cast

28 Years Later

Bring Her Back

One Battle After Another

Hamnet

Sinners

Best Youth Ensemble

Chico Bento e a Goiabera Maraviosa

Hamnet

Bring Her Back

Young Hearts

The Legend of Ochi

Weapons

Best Cinematography

Autumn Durald Arkapaw Sinners

Michael Bauman One Battle After Another

Jomo Fray Nickel Boys

Radek Ladczuk The Surfer

Stephen Soderbergh Presence

Best Art Direction

Dan Clay, Ewa Galak, Carsom McColl, and Gareth Pugh 28 Years Later

Vanessa Cerne, Michael Bell, and Max Nadilo Bring Her Back

Florencia Martin, Alex Max Cahn, Albert Cisneros, and May Mitchell One Battle After Another

Hannah Beachler, Jonathan Cappel, Timotheus Davis, and Jesse Rosenthal Sinners

Rick Heinrichs, Jim Barr, Dean Clegg, Kate Suzanne Hunter, Chloe Kletsa, Hugh McClelland and Quinn Robinson Wake Up Dead Man

Best Original Screenplay

Ryan Coogler Sinners

Zach Cregger Weapons

Alex Garland 28 Years Later

Rian Johnson Wake Up Deadman

Phillipou Brothers Bring Her Back

Best Adapted Screenplay

Chloé Zhao, Maggie O’Farrell Hamnet

Murilo Hauser, Heitor Lorega, Marcelo Rubens Paiva I’m Still Here (Ainda Estou Aqui)

RaMell Ross, Joslyn Barnes, Colson Whitehead Nickel Boys

Paul Thomas Anderson, Thomas Pynchon One Battle After Another

JT Mollner, Stephen King The Long Walk

Best Costume Design

Leticia Barbieri Chico Bento e a Goiabera Maraviosa

Ruth E. Carter Sinners

Carson McColl, Gareth Pugh 28 Years Later

Deborah L. Scott Avatar: Fire and Ash

Malgosia Turzanksa Hamnet

Best Visual Effects

28 Years Later

Avatar: Fire and Ash

Bring Her Back

The Legend of Ochi

Sinners

Best Sound Editing and Mixing

Bring Her Back

F1

One Battle After Another

Sinners

Weapons

Best Hair and Makeup

28 Years Later

Bring Her Back

The Toxic Avenger

Hamnet

Sinners

Best Score

Ludwig Goränsson Sinners

The Newton Brothers The Life of Chuck

Francois Tétaz The Surfer

Cornel Wilczek Bring Her Back

Young Fathers 28 Years Later

Best Song

“Steve’s Lava Chicken” Jack Black A Minecraft Movie

“Morning Evening” Tom Basden & Carey Mulligan The Ballad of Wallis Island

“I Lied to You” Miles Caton Sinners

“Joy” The Pocket Queen The Life of Chuck

“Happy Together” Susanna Hoffs & Rufus Wainwright The Roses

Best Soundtrack

The Ballad of Wallis Island

Caught Stealing

Heads of State

I’m Still Here (Ainda Estou Aqui)

Sinners

Best Documentary 

Not Awarded

Robert Downey, Jr. Entertainer of the Year Award

Pedro Pascal

In 2025, Pedro Pascal was in the The Materialists, he was a part of the delightful zaniness of Freaky Tales, and played Reed Richards in the satisfying F4 and played the non-antagonizing antagonist in Eddington. Not to mention the fact that he finished his run on The Last of Us. He flew under the radar for years, broke out, became a beloved presence and in the past year was everywhere and it’s not getting old at all.

Ingmar Bergman Lifetime Achievement Award

The two women I’m honoring with lifetime achievement awards are the epitome of what the idea behind my version of this award is. In deciding to include this award annually I wanted to have honorees ideally be still at or near top form many years after their debut. This year’s honorees.

Glenn Close

I could have had more pictures of Glenn Close movies above. I chose not to picture the very film I awarded her Best Supporting actress this year. She had a long run of great successes in the 80s and 90s but has still come up to remind the world of her virtuosity in many kinds of projects through the years.

Fernanda Montenegro

Fernanda Montenegro has been nominated for an Academy Award. She’s appeared in three Brazilian films that were nominated for Best Foreign Language Film. I awarded her Best Actress for Central Station (Central do Brasil). I nominated her as Best Actress this year, her daughter Fernanda Torres winning. At 95 she’s still acting on stage and announced her retirement from film only recently. There’s still much of her work I want to see, but she’s already an immortal.

Neutron Star Award

Abbas Kiarostami

I watched mostly early short films of Kiarostami’s last year but I had yet to watch any before 2025. His works quickly became a salve for my soul. I’ll continue to watch him, my soul needs it.

Special Jury Awards

For the director, choreographers and actors who brought the dance sequences in The Life of Chuck alive.

Mike Flanagan Mandy Moore, Stephanie Powell, Jonathan Redavid, The Newton Brothers, The Pocket Queen, Tom Hiddleston, Annalise Basso, Mia Sara, Samantha Sloyan, Benjamin Pajak and Trinity Jo-Li Bliss

Stephen King described his novella, The Life of Chuck, as an experimental work. And I attribute that not just to the structure of it, but also the shifting genre and narrative reality. Another aspect that’s more experimental than not is the importance of dance and music to the plot. They are hard to describe in writing but he does so brilliantly. Despite that, seeing the dances and hearing the music affects audiences differently than words do. Taking those words and turning them into dance steps and musical notes is a herculean task. Director Mike Flanagan, the choreographers, musicians and actors took that unenviable task on and soared. Much out of what I’d read on the page I witnessed on the screen, but they wrenched so much more emotion by inserting missing steps and unwritten musical notes. The film’s heart comes from these contributions from the adjacent arts upon which cinema is built. These sequences are Total Cinema, which is very fitting in a film about life.

BAM Best Picture Profile: Central Station (1998)

Each year, I try and improve the site, and also try to find a new an hopefully creative and fun way to countdown to the unveiling of the year’s BAM Awards. Last year, I posted most of the BAM Nominee and winner lists (Any omissions will be fixed this year). However, when I picked Django Unchained as the Best Picture of 2012 I then realized I had recent winner with no write-ups. I soon corrected that by translating a post and writing a series of my own. The thought was all films honored as Best Picture should have at least one piece dedicated to them. So I will through the month of December be posting write-ups on past winners.

Central Station (1997)

Central Station would be the first time the BAM Awards ventured to foreign soil to pick a Best Picture winner. However, maybe it’s more apropos to say that it ventured to soil foreign to the US. For I am a dual citizen of the US and Brazil. In fact, I first saw this film while visiting family in Brazil and I believe I later revisited it when I was back home.

It is so great, so big a hit and important enough that I did discuss whether or not it was the emblematic Brazilian film, first with regards to how the film was cast:

If you hire an amateur child from substandard living conditions you should, as Walter Salles did for Vinícius de Oliveira in Central Station, help improve their station in life. At that point you truly are picking a lottery winner rather than just casting a role.

Then about the film in general:

What of Central Station then? Central Station made quite a bit of money in the US. It was nominated for an Oscar for Best Foreign Language Film and Best Actress. Brazil has more a pedigree on the high-end of world cinema than most would expect. What separates Brazil from most is the consistency of product and, of course, due to the dictatorship there was censorship and artists had to fend for themselves. Now, the government is more active in promoting the arts, the major studios have a presence in the country and so forth. Yet, the fact that Brazil has been up for the Oscar, is the only Latin American nation to win the Palme d’Or (O Pagador de Promessas) and has also scored at Berlin (Elite Squad) is not what is going to dictate the most Brazilian film. Those are just indicators of quality.

Therefore, what’s the quality of Central Station? It has memorable source music, it’s a heart-wrenching drama, it tells a tale of a letter-writer and poor illiterate boy. It crosses that divide and it check off a lot of the qualities I’m looking for in a film representative of Brazil. Not to mention that it’s named after the largest train station in the country, therefore it’s a metaphor for the country and the letter-writer hears many stories from people of all walks of life that are indicative of the country and its people. The blend that exists.

Central Station is one of a long list of, I believe, far more enduring films that didn’t win Best Foreign Language Film. It didn’t win because America had a momentary brain fever and decided to ignore the issues of suspension of disbelief and taste that had Benigni’s film win everything. I can’t say I didn’t fall under it at the time to an extent, but not such that I thought it should win.

However, thanks to that foreign language film nomination it did allow one of Brazil’s great actresses to be nominated for an Oscar and be seen on the world stage. Sure, I’m as cynical about the Oscars as anyone. Had it not been for my own opinion splitting with theirs so violently I wouldn’t have created my own awards, however, I still recognize that it’s a great show and of great significance.

Central Station is a moving an enduring film that has been renowned the world over. Although it may not have won many of the prizes it was up for it surely wasn’t a case of me reaching very far afield for a winner.