Considerations for the 2013 Ingmar Bergman Lifetime Achievement Award

Originally I didn’t want to list considerations for either Entertainer of the Year Award or Neutron Star Award and the same goes for the Lifetime Achievement Award. The reasoning behind this was that these awards being for a body of work should’ve had their winners be rather apparent. However, owing to previous memory lapses, I reconsidered this philosophy.

Therefore, any and all eligible, worthy candidates for either award will be kept on this list. It will be one of the running lists that I update on a biweekly basis.

In essence, this will give those who stand out in these categories their due. For example, last year I felt remiss in not mentioning Matthew McConaughey in my explication for the Entertainer of the Year Award for 2013. In my reasoning behind Samuel L. Jackson’s win I had to talk about his year and how great it was and why Jackson’s superseded it. With this list, at year’s end I will be able to discuss each of the prospective candidates works.

Please note that unlike the Entertainer of the Year Award there are few if any set-in-stone pre-requisites. Having said that notable filmmakers or actors with works due out this year that I have not yet seen are eligible here.

Without further ado, the candidates…

Candidates

Michael Apted (Need to see the latest installment of the Up series.)
Alain Resnais (His latest is a must-see that should be added to My Radar.)
Max Von Sydow
Martin Scorsese*
Francis Ford Coppola*
Bernardo Bertolucci*
John Carpenter
Roger Corman
Terence Malick*
Oliver Stone*
Ken Burns
Woody Allen
Ridley Scott

*Would need retrospectives

Contenders for Favorite Older Films First Viewed in 2013

Here is where I will assemble the titles that will have an opportunity to make a list wherein I chronicle my favorite vintage titles that I first saw during the last calendar year. It is a concept introduced to me by Brian Saur that I have done two times prior. Here is the 2011 version. The 2012 version was published in five parts: you can get to them here, here, here, here and here.

I have debated renaming this list Favorite Film Discoveries and being rather semantical about it, meaning if and when I correct gross sins of omission in my cinematic repertoire, it will not exclude lesser known titles from getting their due on this list. In other words, if you note the first two titles below, I expected them to be great and everyone knows they are. My adding them to the 2013 list is a formality and not news to anyone. If the list is inundated with previously unseen, but fairly obviously great films, I may siphon them off into a separate post.

I have not finalized that decision, but I reserve that right. Unlike my BAM considerations where I will now post a new entry monthly, I will have this list run through the entire year, but will denote when titles were added.

Without much further ado the contenders.

January (9)

The Godfather
The Godfather Part II
The Divorcée
Maya
Tarzan of the Apes
The Marriage of Maria Braun
Rio Das Mortes
The Great Ghost Rescue

February (8)

Tarzan the Ape Man
Who’s Afraid of Virginia Woolf?
The Narrow Margin
Imitation of Life
A Dog of Flanders
The Life of Emile Zola
Bad Day at Black Rock
Blossoms in the Dust

March (8)

Muppet Treasure Island
Zokkomon
Babes in Toyland
Death Valley
Bolt
The One and Only, Genuine, Original Family Band
A Wicked Woman
Atta Girl, Kelly!

April (11)

Veronika Voss
Time of My Life
The Ghost Walks
Rabid
Tangled Destinies
Hearts of Humanity
The Phantom Express
In Love with Life
Dick Tracy
(1945)
Peter and the Wolf (1995)
Scanners

May (10)

A Lizard in a Woman’s Skin
Tarzan and His Mate
Stroszek
Mirage
(2004)
In a Year with 13 Moons
Duma
Celia
Blood Car
Life Boat
Little Tough Guy

June (6)

Mon Oncle Antoine
The Merchant of Four Seasons
Rainbow on the River
Tarzan’s Desert Mystery
The Smart Set
Ariel

July (2)

Wake In Fright
Blondie (1938)

August (3)

Stolen Kisses
The Little Prince (Great Performances)
Love on the Run

September (9)

Miss Annie Rooney
To The Left of the Father
Asylum (1972)
Orphans of the Storm
The Return of Dr. X
Dead of Night
The Case of the Bloody Iris
Trilogy of Terror
Sisters

October (12)

Demonic Toys 2
Gorgo
Dracula (1931 -Philip Glass Score)
Dracula (1931 – Spanish Version)
R.L. Stine’s The Haunting Hour – Don’t Think About It
Dracula’s Daughter
Dead Souls
Hell Night
The Ghosts of Buxley Hall
Dead Ringer
Return of the Fly
The Fly
(1958)

November (1)

The Neverending Story (German Cut)

Short film candidates: Selections by Georges Méliès, Little Rascals, The Show (1922), The New York Hat, Captain Eo and Alice Guy, Louis Feuillade.

60 total features so far and the aforementioned shorts.

Series Tracker

This is a post whose idea I had a while back and never did, but now I came up with a better approach. Essentially, my plan with themes/series’ lately has been, for the most part, to split them up. My series on A.I. was virtually all consecutive. My unwillingness to post my ’80s series every day for practically a month led to that one halting and restarting. So I figured this would be easy access to other posts for you the reader, and a great reminder for me about what’s in-progress and should be touched upon on occasion.

Ongoing Series

Make Your Own Festival

I select slates to demonstrate the ease of self-programming titles.

Pick an Actor: Robinson Stevenin
Macaulay Culkin
Pick a Country 1: Brazil
Brazil 2
Pick a Country: Brazil 3
Pick a Country: Part 4
Pick a Country: Part 5
Pick a Country: Part 6
Pick a Country: Part 7
Bad Movies
Macaulay Culkin

The Arts on Film

I examine instances of other arts on film to examine the source material a bit more closely.

Ivan’s Childhood

Silent Feature Sunday

Dr. Jekyll & Mr. Hyde

Waxworks
Haxan
The Cabinet of Dr. Caligari
Nosferatu
Man with a Movie Camera
Berlin: Symphony of a Great City
Battleship Potemkin
The Kid (1921)

Hero Whipped

A chronicle of my journey back to the comics medium, usually also relating the characters to their depictions in other media, especially film.

From Film to Comics (Part 1)
From Film to Comics (Part 2)
Comics and the Studio System
A Question of Form
The Double Life of Archie Andrews
Why This Spider-Man Amazed Me
Richie Rich
Hellraiser

Tarzan Thursday

A retrospect on Tarzan films through the ages.

Tazan Thursday: Tarzan the Ape Man (1932)
Tarzan Thursday: Tarzan of the Apes (1918)
Tarzan Escapes
Tarzan and His Mate
Tarzan Finds a Son!
Tarzan’s Secret Treasure
Tarzan’s New York Adventure
Tarzan Triumphs
Tarzan’s Desert Mystery
Tarzan and the Amazons
Tarzan and the Leopard Woman
Tarzan and the Huntress (1947)
Tarzan and the Mermaids (1948)

Cinematic Episodes

Introduction

Don’t You Recognize Me?

Posts on early roles by know well-known actors that occurred to me by surprise.

Joel Edgerton
Andrew Lincoln
Chris Evans
Sarah Paulson

61 Days of Days of Halloween 2013

Dracula (1931 – Philip Glass Score)
Saw
Films to Keep You Awake: A Christmas Tale
Curse of Chucky
Demonic Toys 2
Gorgo
Trilogy of Terror
Films to Keep You Awake: To Let
Sisters
Blame
Pulse (1988)
The Dead Father
Asylum
The Baby’s Room
The Fog (1980)
V/H/S 2
Insidious: Chapter 2
Die Farbe
A Real Friend
Dead of Night
The Asphyx
Spectre
The Case of the Bloody Iris
Graveyard Disturbance
Dementia 13
Tremors 2
Child’s Play 3
Bride of Chucky
The Blair Witch Project
Introduction

2013 BAM Award Considerations

Monthly posts tracking contenders for this year’s BAM Awards, my personal film awards.

September
August
July
June
May
April
March
February
January

Mini-Review Round-Up

Bite-size reviews of titles viewed at home. Many of which need a wider audience.

2013

Late August/September
August
July
June
May
April
March
February
January

2012

In December it was replaced by Year-End Dash
November
October
September
August
July
June
May
April
February
January

2011

#5
#4
#3
#2
#1

Film Thought

Moviegoing Solo
I Think We’re Alone Now
Walking Out of a Movie
Film Word Association
Who Would Play You in a Movie?
What’s Your Favorite Film?
Sorry, No Refunds for Bad Movies
Excuse Me, Did You Like the Movie?
The Foundation of Everything is Drama
A Film For All Occasions
No List is Ever Complete
The Elasticity of Film
Critical Buzzwords in Need of Banishment

In Anticipation Of

Mercy
The Necroscope

Limited Series, Current

Bela Tarr Retrospective

Short Film Saturday: Prologue from Visions of Europe
Werckmeister Harmonies

Limited Series, Comncluded

Underrated Dramas

Brazil
Benelux
France

Shyamalan Week

BAM Best Picture Profile – The Sixth Sense
Things Worth Discussing
Village Building
The Spiritual Trilogy

Django Unchained

Django Unchained: Mandingo Fighting and Phrenology
Django Unchained: Apparent Defeat and Tarantino’s Cameo
Django Unchained: The Politics of Language
Django Unchained: Introduction and the Spaghetti Western Treatment
Quentin Tarantino’s Django Unchained: How Good it is to Kill Fascists, Racists and Slave Owners!

Poverty Row April

Posts and reviews about shoestring Hollywood productions, mainly in the 1930s.

Short Film Saturday: The Phantom Empire, Chapters 1-3
Book Review: Poverty Row Studios, 1929-1940
Poverty Row April: Viewing Log and Introduction
Short Film Saturday: The Phantom Empire, Chapters 1-3
Short Film Saturday: The Phantom Empire, Chapters 4-6
Short Film Saturday: The Phantom Empire, Chapters 7-9
Poverty Row April: Wrap-Up

Once Upon a Time in the 80s

A wide-ranging paper on what made the 80s unique in entertainment, mainly film.

Once Upon a Time in the 80s: Conclusion
Once Upon a Time in the 80s: Kidco
Once Upon a Time in the 80s: Amazing Grace and Chuck
Once Upon a Time in the 80s: The Breakfast Club
Once Upon a Time in the 80s: Parenthood
Once Upon a Time in the 80s: The Neverending Story
Once Upon a Time in the 80s: Television
Once Upon a Time in the 80s: Genremeld
Once Upon a Time in the 80s: Music Videos
Once Upon a Time in the 80s: Directors
Once Upon a Time in the 80s: The Directors
Once Upon a Time in the 80s: Animation
Once Upon a Time in the 80s: The International Scene
Once Upon a Time in the 80s: Box Office Boom
Once Upon a Time in the 80s: Sequels
Once Upon a Time in the 80s: Special Effects
Once Upon a Time in the 80s: Sociopolitical Overview
Once Upon a Time in the 80s: Introduction

March to Disney

A focus on films by Walt Disney Studios.

March to Disney: Disney Animated Feature Ranking
March to Disney: Titles That Should Come Out of the Vault
March to Disney: Disney at the BAM Awards
March to Disney: Terabithia, Timothy Green and Other Inauspicious Ends
March to Disney: Secretariat and the Sports Films of Disney
March to Disney: Zokkomon and Disney World Cinema
March to Disney: What Bolt and Dumbo Share
The Gnome-Mobile
Trips to Treasure Island
Der Fuehrer’s Face
The Rescuers in More Ways Than One
Three Little Pigs
Short Film Saturday: The Little Matchgirl
Short Film Saturday: Aquamania (1961)
Short Film Saturday: Runaway Brain

Blogathon Entries

Funny Lady Blogathon: Louise Fazenda
Children in Film Blogathon 2: The Juvenile Award
Children in Film Blogathon 1: Jackie Searl
Actors in Comic Book Films
Journalism in Classic Film Blogathon: Doctor X (1932) and The Return of Doctor X (1939)

2013 BAM Award Considerations – September

Last year I had one massive running list and it became very cumbersome to add to, and to read I’m sure. By creating a new post monthly, and creating massive combo files offline, it should make the process easier for me and more user-friendly for you, the esteemed reader. Enjoy.

Eligible Titles

You’re Next
Beyond the Walls
The Mortal Instruments: City of Bones
The Iceman
House of Bodies
Riddick
The Grandmaster
Shadow Dancer
Fruitvale Station
Branca’s Pitch
Évocateur: The Morton Downey Jr. Movie
Insidious: Chapter 2
Aliyah
Three Worlds
V8- Start Your Engines
To the Wonder
V/H/S 2
In the Name Of
Hammer of the Gods
Die Farbe
Breakout
Standing Up
Don Jon
Cody the Robosapien

Best Picture

Shadow Dancer
Fruitvale Station
Insidious: Chapter 2
Three Worlds
V8- Start Your Engines

Best Foreign Film

Beyond the Walls
The Gradmaster
Aliyah
Three Worlds
V8- Start Your Engines
In the Name Of
Die Farbe

Best Documentary

Last year this was an omitted category, due mostly to the fact that too few total candidates existed to make the slate feel legitimate. I will hope to be able to rectify that this year.

Branca’s Pitch
Évocateur: The Morton Downey Jr. Movie

Most Overlooked Film

As intimated in my Most Underrated announcement this year, I’ve decided to make a change here. Rather than get caught up in me vs. the world nonsense and what a film’s rating is on an aggregate site, the IMDb or anywhere else, I want to champion smaller, lesser-known films. In 2011 with the selection of Toast this move was really in the offing. The nominees from this past year echo that fact. So here, regardless of how well-received something is by those who’ve seen it, I’ll be championing indies and foreign films, and the occasional financial flop from a bigger entity.

The Mortal Instruments: City of Bones
Three Worlds
V8- Start Your Engines
Die Farbe

Best Director

Shadow Dancer
Fruitvale Station
Insidious: Chapter 2
Three Worlds
V8- Start Your Engines
Die Farbe

Best Actress

Sharni Vinson You’re Next
Lily Collins The Mortal Instruments: City of Bones
Ziyi Zhang The Grandmaster
Andrea Riseborough Shadow Dancer
Melonie Diaz Fruitvale Station
Clotilde Hesme Three Worlds
Olga Kurylenko To the Wonder
Marah Schneider Die Farbe
Scarlett Johansson Don Jon

Best Actor

Matila Malliarakis Beyond the Walls
Jamie Campbell Bower The Mortal Instruments: City of Bones
Michael Shannon The Iceman
Tony Leung Chiu Wai The Grandmaster
Clive Owen Shadow Dancer
Michael B. Jordan Fruitvale Station
Patrick Wilson Insidious: Chapter 2
Raphaël Personnaz Three Worlds
Pio Marmaï Aliyah
Andrzej Chyra In the Name Of
Ingo Heise Die Farbe
Joseph Gordon-Levitt Don Jon

Best Supporting Actress

Brid Brennan Shadow Dancer
Octavia Spencer Fruitvale Station
Lin Shaye Insidious: Chapter 2
Arta Dobroshi Three Worlds
Julianne Moore Don Jon
Glenne Headly Don Jon

Best Supporting Actor

Guillaume Gouix Beyond the Walls
Robert Sheehan The Mortal Instruments: City of Bones
Kevin Zegers The Mortal Instruments: City of Bones
Jonathan Rhys Meyers The Mortal Instruments: City of Bones
Chris Evans The Iceman
Ray Liotta The Iceman
Jordi Mollà Riddick
Steve Coulter Insidious: Chapter 2
Jean-Pierre Malo Three Worlds
Javier Bardem To the Wonder
Mateusz Kociukiewicz In the Name Of
Theo Barklam-Biggs Hammer of the Gods
Michael Kausch Die Farbe
Tony Danza Don Jon

Best Performance by a Young Actress in a Leading Role

Maya Lauterbach V8- Start Your Engines
Annelise Basso Standing Up

Best Performance by a Young Actor in a Leading Role

Georg Sulzer V8- Start Your Engines
Chandler Canterbury Standing Up
Bobby Coleman Cody the Robosapien

Best Performance by a Young Actress in a Supporting Role

Maira Laird Shadow Dancer
Ariana Neal Fruitvale Station
Klara Merkel V8- Start Your Engines
Tatiana Chiline To the Wonder
Holliston Coleman Cody the Robosapien

Best Performance by a Young Actor in a Supporting Role

Ty Simpkins Insidious: Chapter 2
Garrett Ryan Insidious: Chapter 2
Tyler Griffin Insidious: Chapter 2
Andrew Astor Insidious: Chapter 2
Samuel Jakob V8- Start Your Engines
Tom Hossbach V8- Start Your Engines
Nick Romeo Reimann V8 – Start Your Engines
Rylan Logan V/H/S 2
Phillipp Jacobs Die Farbe
Leon Schröder Die Farbe
Jonas Zumdohme Die Farbe
Christian Martyn Breakout

Best Cast

You’re Next
Beyond the Walls
The Mortal Instruments: City of Bones
The Iceman
Shadow Dancer
Fruitvale Station
Insidious: Chapter 2
Three Worlds
V8- Start Your Engines
In the Name Of
Die Farbe
Don Jon

Best Youth Ensemble

Shadow Dancer
Fruitvale Station
Insidious: Chapter 2
V8- Start Your Engines
V/H/S 2
Die Farbe
Standing Up
Cody the Robosapien

Best Original Screenplay

You’re Next
Fruitvale Station
Insidious: Chapter 2
Three Worlds
V8- Start Your Engines
To the Wonder
V/H/S 2
Don Jon

Best Adapted Screenplay

The Mortal Instruments: City of Bones
Shadow Dancer
Die Farbe

Best Score

You’re Next
Beyond the Walls
The Mortal Instruments: City of Bones
Riddick
Fruitvale Station
Insidious: Chapter 2
V8- Start Your Engines
To the Wonder
Die Farbe

Best Editing

Shadow Dancer
Fruitvale Station
Insidious: Chapter 2
Three Worlds
V8- Start Your Engines
To the Wonder
Die Farbe
Don Jon

Best Sound Editing/Mixing

The Mortal Instruments: City of Bones
Shadow Dancer
Insidious: Chapter 2
V8- Start Your Engines
To the Wonder
V/H/S 2
Hammer of the Gods
Die Farbe

Best Cinematography

You’re Next
The Grandmaster
Insidious: Chapter 2
V8- Start Your Engines
To the Wonder
V/H/S 2
Die Farbe

Best Art Direction

You’re Next
Beyond the Walls
The Mortal Instruments: City of Bones
Riddick
The Grandmaster
Insidious: Chapter 2
V8- Start Your Engines
V/H/S 2
Hammer of the Gods
Die Farbe

Best Costume Design

The Mortal Instruments: City of Bones
The Iceman
Riddick
The Grandmaster
Insidious: Chapter 2
V8- Start Your Engines
Hammer of the Gods
Die Farbe

Best Makeup

Riddick
The Grandmaster
Insidious: Chapter 2
V8- Start Your Engines
V/H/S 2

Best Visual Effects

The Mortal Instruments: City of Bones
Riddick
Insidious: Chapter 2
V/H/S 2
Die Farbe
Cody the Robosapien

Best (Original) Song

Beyond the Walls
V8- Start Your Engines

61 Days of Halloween: The Blair Witch Project (1999)

Introduction

An introduction to the concept of 61 Days of Halloween as well as past films discussed can be found here.

The Blair Witch Project (1999)

To kick off this year I figure I’d go with a film I know and like, one I would gladly revisit anew for the purposes of this piece. The first thing that should be mentioned with regards to this film and myself is that I was fairly young when it first came out, and I first viewed it. Therefore, I fell for the marketing ploy hook, line and sinker; meaning, I fell into the trap that this was real footage. That made my first viewing of the film particularly intense, and perhaps the most affecting fright I ever felt.

Between that time and when I revisited it anew, I learned the truth. I came full circle with my reaction. At first, of course, I was quite angry. However, when it came time for me to see it again I took it as it really was- as fiction. I would’ve likely seen through the ruse the first time had I looked into the film more, but I hadn’t. This was one of the few real instances one can have of “seeing it again for the first time.” I knew a lot of the beats and took it all in, and it’s impressive how well it works, especially the performances. Due to the fact that there’s a brief period of expository information, and much walking and arguing, it can be easy to miss the set-ups and escalation.

I won’t spend too much time discussing it as the progenitor of many found footage films since, save to say that a lot of the shots are clear (barring the running sequences of course) and there’s escalation, pay-off, focus on character/performance, and, perhaps most importantly, it cares about explaining where the footage came from and why it was shot.

It’s a film that mixes sources of footage and has a respect for the process of filmmaking. It’s intelligent enough to be clearly edited, but it doesn’t go too far. Far too often in new-age found footage there’s too much “Hey, look this is real raw footage!” scenes clogging up the first act. By switching cameras and stocks the film spices up the beginning without wasting too much time. Having come full circle with it, it’s a film I’ve really come to admire a whole lot. It’s films like this one that make me come back to the found footage approach as tired and low-percentage as it’s been. The Blair Witch Project is a truly great film, that I just had to add to my collection. Being lost can be truly terrifying whether something is after you or not, few films exploit it as acutely as this one.

61 Days of Halloween 2013: Introduction

Prologue

I figured this year I’d change things up, oh-so-slightly. Rather than have the following intro bulk up the beginning of each post I’d have it in its own post. Not only that I figured I’d also have a huge list of the films included in the past for two reasons: one, so you all can have easy access to the titles featured previously and, two, so I don’t accidentally repeat one. Enjoy and look for 2013’s first title later today. I also hope to have much more than last year’s offerings, and ideally a post a day. Subscribers be prepared to occasionally get a few notices a day as some regular site features will continue as per usual.

Introduction

Most holidays worth their while encompass entire seasons, such as Christmas, for example. However, as you may have noticed there is a corporate push every year for us to think about the next holiday even sooner. While this has many negative side effects I figure I may as well embrace it.

Since Labor Day is really only good for college football and movie marathons cinematically it is as significant as Arbor Day, which means the next big day on the calendar is Halloween and we can start looking toward it starting now.

Daily I will be viewing films in the horror genre between now and then and sharing the wealth. Many, as is usually the case, will not be worth it so for every disappointment so I will try and suggest something worth while as well.

2012 (31 Movies, 1 Retrospective)

Call of the Cthulhu
The Crazies
(2010)
The Children (1980)
The Children (2008)
The Other
The Mist
A Nightmare on Elm Street
(2010)
Case 39
Devil
Zombieland
A Haunting in Connecticut
Survival of the Dead
The Last Exorcism
Paranormal Activity
Frozen
Daybreakers
House
(1977)
Cat in the Brain
Vinyan
The Sinful Dwarf
The Final Destination
Village of the Damned
(1960)
Children of the Damned
The Final
Girl vs. Monster
Trick ‘r Treat
Texas Chainsaw Massacre
(1974)
House of Long Shadows
Friday the 13th Part 2
Friday the 13th Part 3
Friday the 13th Part IV: The Final Chapter
Friday the 13th Part 6
A Nightmare on Elm Street
, the Series Revisited

2011 (47 films, 1 list)

Children of the Corn III: Urban Harvest
Mother’s Day
Genesis
Aftermath
Crawlspace
Hatchet for the Honeymoon
It! The Terror from Beyond Space
The Beast from 20,000 Fathoms

Children of the Corn
Children of the Corn II: The Final Sacrifice
The Video Dead
The Prowler
Children of the Corn IV: The Gathering
Masters of Horror: Family
The Evil Dead
It’s the Great Pumpkin, Charlie Brown
Children of the Corn V: Fields of Terror
Satan’s Little Helper

Masters of Horror: Pick Me Up
Garfield’s Halloween Adventure
Teeth
Masters of Horror: The V Word
Halloween (1978)
Halloween II (1981)
Child’s Play
Halloween III: Season of the Witch
Halloween 4: The Return of Michael Myers
Halloween 5: The Revenge of Michael Myers
Child’s Play 2
Halloween: The Curse of Michael Myers
Halloween H20: 20 Years Later
Halloween Resurrection

The Amityville Horror (1979)
Tremors
Friday the 13th: A New Beginning
Amityville II: The Possession
Halloween (2007)

Top Evil Kids in the Children of the Corn Series
Amityville 3D
The Curse
Homicidal
The Stuff
Santa’s Slay
Die, Monster, Die!
Freaks
Vampire Circus
All the Colors of the Dark
A Blade in the Dark

Silent Feature Sunday: Nosferatu (1922)

While I do watch many new films, and have annual awards and will discuss current cinematic topics. Part of my desire to create my own site was to not have an agenda forced upon me that was not my own. This allows me to discuss films from all periods of history whenever I see fit. Recently my Short Film Saturday posts have been running toward silents more often. I questioned this tactic for a second until I realized that if I really do hope to encompass all of film history then the silent era most definitely should not be ignored. If you mark the silent era from the birth of film (1895) to the first talkie (1927), and I realize it could be argued that the silent era stretched a few years beyond that, and also that there were experiments with sound very early; that’s still 27% of film history at current which was entirely silent. Therefore a weekly post (or, however often I put it up) is not out of line at all mathematically or otherwise.

The good news is that many silent films are available to watch online, and are in the public domain. So I will feature some here.

Nosferatu (1922)

While 61 Days of Halloween is going on this will be a horror-themed post as well. This will allow me to see some horror silents I’ve not yet viewed. However, I figured I’d start with a staple. I must admit I’m not a huge fan of this film. However, I do like it. It’s not quite another Freaks for me, I like it better than that. It’s just quite meet the hype when I saw it, which was a while ago. Next week, however, I will have a film I love…a lot. Regardless, enjoy and may the horror begin!